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The Idea of Beauty in Italian Literature and Language
Beauty is a central concept in the Italian cultural imagination throughout its history and in virtually all its manifestations. It particularly permeates the domains that have governed the construction of Italian identity: literature and language. The Idea of Beauty in Italian Literature and Language assesses this long tradition in a series of essays covering a wide chronological and thematic range, while crossing from historical linguistics to literary and cultural studies. It offers elements for reflection on cross-disciplinary approaches in the humanities, and demonstrates the power of beauty as a fundamental category beyond aesthetics.
Practising Piety
Situated at the intersection of theology, history, literature, and the arts, this edited volume introduces the concept of spiritual intermediality and highlights its central role in early modern piety across various Christian denominations. The case studies present a diverse array of perspectives that explore different forms and functions of intermediality in devotional practices of 16th- and 17th-century Europe, thereby enhancing our understanding of the medial conditions and intermedial aspects of devotion during one of the most fruitful periods of devotional arts and practices in Europe. By arguing that early modern devotion often relied on intermedial forms of expression to unfold its full semantic and performative potential, the volume sheds new light on the rich web of media that shaped early modern Christian culture. Contributors include: Wietse de Boer, Marlene Dirschauer, Marc Föcking, Rogier Gerrits, Tara Hamling, Jenny Körber, Judith Lipperheide, Cosima Macco, Alec Ryrie, Franziska Schreiber, James Simpson, Jeffrey Chipps Smith, Stephanie Wodianka, and Katharina Worms.
Érotisme et esthétique des larmes / Erotik und Ästhetik der Tränen
Until well into the 20th century, explicit sexual allusions were a taboo subject in European literature and art. The contributions gathered in this volume explore the multi-faceted, oftentimes ambivalent functions of the tear which can serve as an expression of emotions, as an aesthetic element, or as a signal of subtle erotic tension. The authors analyze subtexts in prominent and less prominent French prose texts of the 17th, 18th, and 19th centuries, which have mostly been overlooked in previous research.
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Glossator 12: Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe
VOLUME 12 (2022): COMMENTING AND COMMENTARY AS AN INTERPRETIVE MODE IN MEDIEVAL AND EARLY MODERN EUROPE Edited by Christina Lechtermann and Markus Stock Introduction: Commenting and Commentary as an Interpretive Mode in Medieval and Early Modern Europe Christina Lechtermann & Markus Stock The Pro-Active Scribe: Preparing the Margins of Annotated Manuscripts Erik Kwakkel Thinking from the Margins: Opening and Closing Illuminations and their Commentary Functions around 1000 Kristin Böse Reading Texts within Texts: The Special Case of Lemmata Andrew Hicks The In-/Coherences of Narrative Commentary: Commentarial Forms in the Anegenge Christina Lechtermann Dante’s Self-Commentary and the Call for Interpretation Elisa Brilli Spiritualizing Petrarchism, “Poeticizing” the Bible: Two Counter-Reformation Self-Commentaries Christine Ott and Philip Stockbrugger The Power of Glosses: Francesco Fulvio Frugoni’s Self-Commentary and Literary Criticism in the Tribunal della Critica Andrea Baldan Commenting on a Purged Model: The M. Valerii Martialis Epigrammaton libri omnes novis commentariis illustrati of the Jesuit Matthäus Rader (1602) Magnus Ulrich Ferber
