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The world has long been captivated by the story of Peter Pan and the countless movies, plays, musicals, and books that retell the story of Peter, Wendy, and the Lost Boys. Now, in this revealing behind-the-scenes book, author Piers Dudgeon examines the fascinating and complex relationships among Peter Pan's creator, J.M. Barrie, and the family of boys who inspired his work. After meeting the Llewelyn Davies family in London's Kensington Garden, Barrie struck up an intense friendship with the children and their parents. The innocence of Michael, the fourth of five brothers, went on to influence the creation of Barrie's most famous character, Peter Pan. Barrie was so close to the Llewelyn Davi...
Conservation Skills provides an overview of the issues facing conservators of historic and artistic works. It not only describes the nature of conservation but also provides an ethical framework to which the conservation of objects can be related. Drawing on case studies of well-known objects such as the body of Lindow Man and the Statue of Liberty it addresses the following issues: * perception, judgement and learning * reasons for preserving the past * the nature and history of conservation * conservation ethics * recording, investigating, cleaning objects * stabilisation and restoration * preventive conservation * decision making and responsibilities.
This long-awaited edition brings together for the first time 366 letters, cards and telegrams exchanged between Craig and his patron the cosmopolitan Count Kessler. An important primary source, illuminated by Dr Newman's commentary, it focuses on three areas of particular importance: - 1. Craig's artistic ideas and the spread of his influence through exhibitions and books; proposals are developed for work with Otto Brahm, Eleonora Duse, Max Reinhardt, Henry van de Velde, Eduard Verkade, Leopold Jessner, Dyaghilev, Beerbohm Tree, C. B. Cochran, and others. 2. Kessler's Cranach Press Hamlet with wood-engraved illustrations by Craig; this is a landmark in the history of twentieth-century book design and printing whose genesis is now fully revealed in these letters and amplified with reproductions of eighteen trial page proofs. 3. The relationship between an artist and his patron. Exceptionally detailed indexes are an additional feature of this book
The six sequential essays in this collection provide a narrative of a century and a half of Welsh painting, written with an emphasis on issues of social class and national identity. Through his earlier writing, Peter Lord has contributed to the establishment of an historical tradition of Welsh painting, but because it does not feature in the wider story of Western art history as presently told, the work revealed continues to be perceived as marginal, existing in isolation from ideas and movements in other countries. These essays break new ground by discussing the concerns of Welsh painters not only in domestic terms but also in the context of the ways in which artists in other parts of Europe and in the United States reacted to the common underlying causes of those concerns. The author challenges the idea that the work of Welsh painters is relevant only to the evolution of their own communities and, through confident and detailed analysis, validates their pictures also in terms of the arts of other Western cultures.
Great Houses of London tells the stories of some of the grandest and most fascinating houses in this historic city, from their famous owners and occupants to their renovations and the many riches held within each.
Conservation Skills for the 21st Century provides a much-needed update to the original Conservation Skills volume, presenting an overview of current issues facing conservators of historic and artistic works. Beginning with the basics – why the past is important, as well as an overview of the nature and history of conservation – the book allows the reader to develop a holistic appreciation of the subject. As with the first edition, this volume assists with the development of judgement in conservation students and young professionals. A selection of new case studies representing issues conservators are likely to face in the 21st century illustrates the crucial considerations that must be m...
The Harwich Force has made its name and will not be forgotten during the future annals of history'; so said Rear Admiral Sir Reginald Tyrwhitt on Armistice Day 1918. But that fame has not endured. Yet for the whole duration of the First World War, the Harwich Striking Force was the front line of the Royal Navy, a force of cruisers and destroyers defending the seas for the Allies. Under a charismatic and aggressive leader, Reginald Yorke Tyrwhitt, U-boats, German cruisers, destroyers and light craft all met their ends at the hands of the Force, as did enemy seaplanes and Zeppelin airships. The Harwich ships were at sea almost daily throughout the war, haunting the German coast and the Friesia...
This is the story of how the luxurious steam yachts of the Victorian and Edwardian eras were transformed into weapons of war. These beautiful vessels were the ultimate status symbols of British and European royalty, American magnates, the landed aristocracy and the nouveau riche, but when wars came, in 1898 and 1914, they were quickly transformed into warships, and many of their crews became warriors rather than servants. The US Navy was the first to recognise the potential of these elegant vessels. In the Spanish-American war of 1898, the USN – short of ships to operate a blockade of Spanish-owned Cuba – purchased twenty-eight of them and turned them into patrol craft and bombardment sh...