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Performance
Representing the output of the research project "Performance: Conservation, Materiality, Knowledge," this volume brings together diverse voices, methods, and formats in the discussion and practice of performance conservation. Conservators, artists, curators and scholars explore the ontology of performance art through its creation and institutionalization into an astonishing range of methods and approaches for keeping performance alive and well, whether inside museum collections or through folk traditions. Anchored in the disciplines of contemporary art conservation, art history, and performance studies, the contributions range far beyond these to include perspectives from anthropology, music...
Conservation of Time-Based Media Art
Conservation of Time-based Media Art is the first book to take stock of the current practices and conceptual frameworks that define the emerging field of time-based media conservation, which focuses on contemporary artworks that contain video, audio, film, slides or software components. Written and compiled by a diverse group of time-based media practitioners around the world, including conservators, curators, registrars and technicians among others, this volume offers a comprehensive survey of specialized practices that have developed around the collection, preservation and display of time-based media art. Divided into 23 chapters with contributions from 36 authors and 85 additional voices,...
Conservation of Contemporary Art
This open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.
The Invention of Scientific Conservation
The book addresses the question of how experts from a variety of educational backgrounds and with different professional identities created scientific conservation. How did they make science the type of knowledge carrying most authority in questions of conservation? From the ruins of the Second World War, international organisations (e.g. IIC), journals (e.g. Studies in Conservation), and institutes (e.g. the KIK-IRPA in Brussels) emerged. This book discusses these developments until the 1970s, when conservators confronted with the processual and intangible aspects of contemporary art started to question the principles of scientific conservation and again began to value other forms of knowledge. Contributors are: Camille Bourdiel, Marco Cardinali, Leib Celnik, Angela Cerasuolo, Esther van Duijn, Sven Dupré, Noémie Etienne, Thierry Ford, Michael von der Goltz, Jo Kirby, Hero Lotti, Salvador Muñoz-Viñas, Maeva Pimo, Ron Spronk, Geert Vanpaemel, and Aga Wielocha.
Activating Fluxus, Expanding Conservation
This is the first book to address the care and preservation of Fluxus works, reimagining the afterlife of Fluxus by positioning conservation as an evolving, interpretative and generative framework. Fluxus radically transformed artistic practice by challenging the entrenched preconception that artworks endure unchanged and confined to a singular physical manifestation. Moving beyond conventional, object-based approaches, this interdisciplinary volume brings together artists, scholars, conservators and curators from diverse cultural and theoretical perspectives to explore how the ephemeral, participatory and intermedial forms of Fluxus demand an expanded vision of conservation--one grounded in...
