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The Aesthetics of Japanese Fascism
In this wide-ranging study of Japanese cultural expression, Alan Tansman reveals how a particular, often seemingly innocent aesthetic sensibility—present in novels, essays, popular songs, film, and political writings—helped create an "aesthetic of fascism" in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, Tansman suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. Tansman traces this lineage of aesthetic fascism from its beginnings in the 1920s through its flowering in the 1930s to its afterlife in postwar Japan.
The Politics of Knowledge
The usefulness and political implications of Area Studies programs are currently debated within the Academy and the Administration, where they are often treated as one homogenous and stagnant domain of scholarship. The essays in this volume document the various fields’ distinctive character and internal heterogeneity as well as the dynamism resulting from their evolving engagements with funders, US and international politics, and domestic constituencies. The authors were chosen for their long-standing interest in the intellectual evolution of their fields. They describe the origins and histories of US-based Area Studies programs, highlighting their complex, generative, and sometimes contentious relationships with the social science and humanities disciplines and their diverse contributions to the regions of the world with which they are concerned.
Negotiating Identity
Nakagami Kenji is today regarded as one of the most important and influential Japanese post-war writers. Born in 1946 in the burakumin ghetto of the small coastal town of Shingu in southern Wakayama prefecture, Nakagami sailed up as a rising star on the literary skies in the mid-seventies when he became the first writer born after the Second World War to win the prestigious Akutagawa prize. He was also the first writer of the burakumin background to receive wide literary acclaim and recognition from critics and from the literary establishment. The reception of Nakagami's literature has placed him simultaneously both at the avant-garde of modern Japanese literature and near the nostalgic root...
The Human Tradition in Modern Japan
The Human Tradition in Modern Japan is a collection of short biographies of ordinary Japanese men and women, most of them unknown outside their family and locality, whose lives collectively span the nineteenth and twentieth centuries. Their stories present a counterweight to the prevailing stereotypes, providing students with depictions of real people through the records they have left-records that detail experiences and aspirations. The Human Tradition in Modern Japan offers a human-scale perspective that focuses on individuals, reconstitutes the meaning of people's experiences as they lived through them, and puts a human face on history. It skillfully bridges the divides between the sexes, between the local and the national, and between rural and urban, as well as spanning crucial moments in the history of modern Japan. The Human Tradition in Modern Japan is an excellent resource for courses on Japanese history, East Asian history, and peoples and cultures of Japan.
Routledge Handbook of Modern Japanese Literature
This 2nd edition of the Routledge Handbook of Modern Japanese Literature provides a comprehensive survey of the field of modern Japanese literature and gives readers an overview of how we study Japanese literature today. Including sections on space and time, gender and sexuality, politics, war memory, national and colonial identities, and the production and dissemination of literature, the Handbook examines the ways in which it is possible to read modern Japanese literature and situate it in relation to critical theory. It also features updated and brand-new chapters addressing the works of internationally renowned writers such as Futabatei Shimei and Murakami Haruki and defines the way writ...
Before Identity
Before Identity represents the first attempt to provide a comprehensive examination of the methodological ground of Japan studies. At its most basic level, the field presupposes the immediate empirical existence of an entity known as the "Japanese people" or "Japanese culture," from which it then carves out its various objects of inquiry. Richard F. Calichman attempts to show that this presupposition is itself ineluctably bound up with modern forms of knowledge formation, thereby enlarging the scope of what is meant by modernity. In this way, he aims to bring about a heightened level of theoretical-critical vigilance in the field. Calichman explores the methodological commitments implied or ...
The Journal of Japanese Studies
A multidisciplinary forrum for communicating new information, new interpretations, and recent research results concerning Japan to the English-reading world.
Japan Quarterly
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