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Elemental
It has taken a lifetime for me to see that the more afraid people are of the darkness, the further into it they will flee. Nearing the end of her life, Meggie Tulloch takes up her pen to write a story for her granddaughter. It begins in the first years of the twentieth century, in a place where howling winds spin salt and sleet sucked up from icefloes. A place where lives are ruled by men, and men by the witchy sea. A place where the only thing lower than a girl in the order of things is a clever girl with accursed red hair. A place schooled in keeping secrets. Moving from the north-east of Scotland, to the Shetland Isles, to Fremantle, Australia, Elemental is a novel about the life you make from the life you are given.
Inherited
A dancer in a wheelchair. A collector of corks. One woman seduced by a mountain and another by Freddo Frogs. A man who hears his dead wife's voice. A poet whose voice has disappeared. A photographer distilling grief in his lens. A sound designer stealing the sound of a room. *** Written by Amanda Curtin, these are stories concerned with the gifts and burdens we inherit from those we love and from the world at large, and what we, in turn, leave behind. Families, relationships, memory, secrets, memorialization, creativity, collecting, ageing, and obsession all weave themselves through these 19 short fictional gems.
The Kid on the Karaoke Stage & Other Stories
Featuring both established and emerging Western Australian writers, this short story anthology includes both fiction and creative nonfiction. A quirky and memorable collection, it centers on "who we are and what we want to be"—ideas that will resonate globally despite the regional origin of the contributors. The distinctive voices highlighted here present joy and pain in equal measure with humor and feeling.
Purple Prose
Fifteen Australian women writers were asked to respond to the colour purple. In their hands, purple takes on many meanings. There are stories about Tyrian purple, a snippet of King George's coronation gown, pigeon fanciers, the Dockers' Purple Haze and their layers are explored through themes of feminism, multiculturalism, artists and aging, mothers and daughters and aunts. This is a book for women readers everywhere.
Kathleen O'Connor of Paris
What does it mean to live a life in pursuit of art? In 1906, Kathleen O'Connor left conservative Perth, where her famous father's life had ended in tragedy. She had her sights set on a career in thrilling, bohemian Paris. More than a century later, novelist Amanda Curtin faces her own questions, of life and of art, as she embarks on a journey in Kate's footsteps. Part biography, part travel narrative, this is the story of an artist in a foreign land who, with limited resources and despite the impacts of war and loss, worked and exhibited in Paris for over forty years. Kate's distinctive figure paintings, portraits and still lifes, highly prized today, form an inseparable part of the telling.
White Knuckle Ride
Hop aboard for a desperate, deadly ride with Alan Carter, Amanda Curtin, Peter Docker, Jon Doust, Deborah Robertson, Dave Warner, and more. This is thrilling, jaw-clenching crime fiction from some of Australia's finest writers.
Art Was Their Weapon
The politics, art, and culture of Perth's Workers Art Guild are detailed in this comprehensive history, as well as the personal and professional lives of some of the movement's key figures. The Workers' Art Guild was a left-leaning political force and influential cultural movement of the 1930s and 1940s in Perth. Police and intelligence arms kept close tabs on the Guild and its members, jailing some and intimidating many others prior to and during the period of the banning of the Communist Party in Australia. The book covers the personal and professional lives of key figures such as writer Katharine Susannah Prichard and theatre maverick Keith George, while charting the influence of the Communist Party on Western Australian artists.
Singapore
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Six Days
What is the right thing to do? How could he ever have imagined he'd know the answer to a question like that? Daniel, an expatriate Australian who has lived in Paris for more than forty years, has made a mess of his life and is trying to atone, to become the 'good man' his friend Marcelline believes him to be. But Marcelline has disappeared, the quotidian world has been tipped out of balance and Daniel makes an error of judgment that places at risk everything he values. The novel's six-day narrative, set in the Latin Quarter of Paris in the winter of 2012, expands into lifetimes, histories, as interconnecting stories weave through Daniel's. Stories of abandonment and fractured families, rape and coercion, addiction, ambition, loss and grief, are told in moments and set within the context of war and occupation, the revolutionary sixties, riots in a Catalan town in the south of France, a grassroots movement to make visible the invisible homeless. The personal stitched into, and inseparable from, the political. And throughout, the constant of footsteps and pawpatter as Daniel and his old dog walk the streets of one of the most idealised and romanticised cities on earth.
