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Cinemas Dark and Slow in Digital India
This book provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to undercut the dominance of Bollywood focused film studies. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging understudied works that deserve critical attention. The book uses close readings of films and a deep investigation of film style to draw attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ as a cryptic formulation for considering the sea change in the global circulation of film and finance. This dual focus on both the techno-material conditions of Indian cinema and the film narrative offers a fulsome picture of changing narratives and shifting genres and styles.
Why I'm a Journalist
Why be a journalist? It can be a difficult job with long hours, hard work and an uncertain future. Journalists face relentless criticism and an industry in transition. Aaron Chimbel has put together a collection of essays from working journalists who answer the question — why be a journalist? — with their personal stories of coming up, toiling in the field and writing important, career-defining stories. These journalists come from different platforms, beats and locations, offering varying accounts of the travails and rewards of being a working journalist across changing landscapes and timelines. The essays in Why I’m a Journalist offer encouragement and wisdom about the path to being a reporter, a broadcaster, an editor or a media professional. This is a collection for students interested in the field, early upstarts engaged with building their careers and seasoned pros looking to learn from their colleagues.
Think/Point/Shoot
Think/Point/Shoot gives students a thorough overview of the role of ethics in modern media creation. Case studies emphasize the critical issues in global media ethics today in all stages of media creation from preproduction research and development, to production and post production. This volume features practicing filmmakers, journalists, and media creators who provide insight into dealing with real-world ethical dilemmas. For this era, digital imagery, sounds, and web communication have opened doors to sharing thoughts and ideas instantaneously to potentially vast audiences. This presents exciting opportunities, but also serious ethical, legal, and social challenges. The cases and exercise...
Arthur Danto's Philosophy of Art: Essays
For over thirty years, Arthur Danto was the most important art critic and philosopher of art and aesthetics in the English-speaking world. Arthur Danto's Philosophy of Art: Essays provides a comprehensive and systematic view of his philosophy and criticism by Noël Carroll, Distinguished Professor of the Philosophy of Art, CUNY and himself a former journalist specializing in arts criticism. Danto's writings attracted and still attracts diverse audiences, including aestheticians, artists, art critics, historians, and art lovers. In this book they will find his major themes not only analyzed in depth but also discussions of his political significance, views on history, cinema and more.
Sight and Sound
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History and Theory
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From Action to Ethics
Over the course of the last 15 years, Constantine Sandis has advanced our understanding of the role that action plays in shaping our moral thought. In this collection of his best essays in the philosophy of action, Sandis brings together updated versions of his writings, accompanied by a new introduction. Read collectively they demonstrate the breadth of his interests and ability to relate to broader issues within the culture, connecting debates in philosophical psychology about motivation, negligence, and moral responsibility with Greek tragedy, social psychology and literature. Along this path from action to ethics, Sandis engages with Hegel, Wittgenstein, Anscombe, Ricoeur, Davidson, and Dretske, together with contemporary authors such as Jennifer Hornsby and Jonathan Dancy. As he responds to each thinker and theme, he develops his own philosophical position, the key thesis of which is that philosophy of action without ethics is empty, ethics without philosophy of action is blind.
Cinéma
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