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This book explores the debates surrounding two dynamic fields – postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, it asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and also because whatever promise that ideal held out has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V.S. Naipaul, J.M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories. Ambitious in scope, this book challenges many of the existing theoretical and literary frameworks and offers a radical reimagination of the fields. The volume, written in an accessible and lively prose, will be indispensable for scholars and researchers of literature, critical theory, postcolonial studies, cultural studies, and comparative literature.
Postcolonial intellectuals have engaged with and deeply impacted upon European society since the figure of the intellectual emerged at the beginning of the nineteenth century. Yet a critical assessment and overview of their influential roles is long overdue, particularly in the light of contemporary debates in Europe and beyond. This book offers an innovative take on the role of intellectuals in Europe through a postcolonial lens and, in doing so, questions the very definition of "public intellectual," on the one hand, and the meaning of such a thing as "Europe," on the other. It does so not only by offering portraits of charismatic figures such as Stuart Hall, Jacques Derrida, Antonio Gramsci, Frantz Fanon, and Hannah Arendt, among others, but also by exploring their lasting legacies and the many dialogues they have generated. The notion of the ‘classic’ intellectual is further challenged by bringing to the fore artists, writers, and activists, as well as social movements, networks, and new forms of mobilization and collective engagement that are part of the intellectual scene.
Have Marxian ideas been relevant or influential in the writing and interpretation of history? What are the Marxist legacies that are now re-emerging in present-day histories? This volume is an attempt at relearning what the “discipline” of history once knew – whether one considered oneself a Marxist, a non-Marxist or an anti-Marxist.
The Routledge Companion to Global Comparative Literature is a collection of papers by influential scholars who are engaged in comparative literary studies and addresses a central and highly important question about the discipline: if Eurocentrism has been integral to comparative literature, and if the world we live in is undergoing radical changes, then how can, or should, the discipline change to overcome this problem, of the discipline as well as of literary history, to accommodate non-Western traditions? Addressing this significant matter and taking different approaches in response to the state of the discipline, the papers in this volume offer diverse ways of overcoming Eurocentrism: the...
In a radical and ambitious reconceptualization of the field, this book argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light.
This book examines the life, major ideas and lasting influence of the Italian militant and political thinker Antonio Gramsci. Author of the famous Prison Notebooks – over 2,000 pages of profound and influential reflections on history, culture, politics, philosophy and revolution – and head of Italy's Communist Party in the 1920s, Antonio Gramsci is one of the most important European political thinkers of the 20th century. An Introduction to Antonio Gramsci provides an accessible overview of Gramsci's thought and analyses how Gramsci's theories can be applied to 21st-century politics in the age of Brexit, Covid, the rise of populism and the Ukraine crisis. This edition includes: · A brand new chapter that considers Gramsci's relevance to contemporary politics and events · Expanded and updated sections applying Gramsci to contemporary political theory and political economy · An exploration of the most recent Gramsci scholarship · A new section on Gramsci's influence on the New Right
This fully updated new edition of The Routledge Companion to World Literature contains ten brand new chapters on topics such as premodern world literature, migration studies, world history, artificial intelligence, global Englishes, remediation, crime fiction, Lusophone literature, Middle Eastern literature, and oceanic studies. Separated into four key sections, the volume covers: the history of world literature through significant writers and theorists from Goethe to Said, Casanova and Moretti the disciplinary relationship of world literature to areas such as philology, translation, globalization, and diaspora studies theoretical issues in world literature, including gender, politics, and ethics; and a global perspective on the politics of world literature Comprehensive yet accessible, this book is ideal as an introduction to world literature or for those looking to extend their knowledge of this essential field.
This book addresses the rise of the concept of the "Global Anglophone” in contemporary literary studies, both as an intellectual category and as a field designation. Moving beyond traditional postcolonial frameworks, it investigates how this emerging paradigm is reshaping our understanding of modern English-language literature across geographical boundaries. Distinguished scholars from diverse regions of the English-speaking world reveal how the Global Anglophone has evolved from a subset of postcolonial studies into a comprehensive framework for examining modern literary production in English. Through rigorous analysis and argumentation, the contributors demonstrate how this conceptual tr...
Dealing with texts as disparate as Tagore s early twentieth century novel Chokher Bali and Deepa Mehta s contemporary film Fire, short stories by Assamese women writers, fiction by Mahasweta Devi, poetry by contemporary Bengali women poets, autobiographic
Contributed articles presented at the Seminar organised by Centre of Linguistics and English, Jawaharlal Nehru University and co-sponsored by Indian Council of Philosophical Research.