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Visual Culture and Decolonisation in Britain
First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
Technological Innovation, Modernity, and Electric Goods in Late State Socialist Poland
Technological Innovation, Modernity, and Electric Goods in Late State Socialist Poland deconstructs the public performance of technological innovation and imagined modernity in relation to the home technologies market in late state socialist Poland. While doing so, Patryk Wasiak sheds light on the politics that accompanied the modes of representations of the new innovative consumer technologies in the public sphere and the agenda of actors who performed such representations. This book argues that the central form of the mediation of home technologies was the projection of specific “sociotechnical imaginaries” that included visions of how these technologies would have an impact on the cre...
Restaging the Past
Restaging the Past is the first edited collection devoted to the study of historical pageants in Britain, ranging from their Edwardian origins to the present day. Across Britain in the twentieth century, people succumbed to ‘pageant fever’. Thousands dressed up in historical costumes and performed scenes from the history of the places where they lived, and hundreds of thousands more watched them. These pageants were one of the most significant aspects of popular engagement with the past between the 1900s and the 1970s: they took place in large cities, small towns and tiny villages, and engaged a whole range of different organised groups, including Women’s Institutes, political parties,...
White Heat
'An active pleasure to read' Mail on Sunday Harold Wilson's famous reference to 'white heat' captured the optimistic spirit of a society in the midst of breathtaking change. From the gaudy pleasures of Swinging London to the tragic bloodshed in Northern Ireland, from the intrigues of Westminster to the drama of the World Cup, British life seemed to have taken on a dramatic new momentum. The memories, images and colourful personalities of those heady times still resonate today: mop-tops and mini-skirts, strikes and demonstrations, Carnaby Street and Kings Road, Harold Wilson and Edward Heath, Mary Quant and Jean Shrimpton, Enoch Powell and Mary Whitehouse, Marianne Faithfull and Mick Jagger. In this wonderfully rich and readable historical narrative, Dominic Sandbrook looks behind the myths of the Swinging Sixties to unearth the contradictions of a society caught between optimism and decline.
AngloMania
Anglomania, the craze for all things English, gripped Europe during the mid-to-late 18th century. As perceived by Anglophiles such as Voltaire and Montesquieu, England was a land of reason, freedom, and tolerance, a place where the Enlightenment found its greatest expression. What began as an intellectual phenomenon, however, became and has remained a matter of style. Through the lens of fashion, "AngloMania" examines aspects of English culture, such as class, sport, royalty, pageantry, eccentricity, the gentleman, and the country garden, which have fuelled the European and American imagination. This beautiful book presents historical costumes juxtaposed with late 20th-and early 21st-century...
History Today
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Fashion Theory, Volume 10, Issues 1 & 2
Fashion Theory provides an international and interdisciplinary forum for the analysis of cultural phenomena ranging from foot binding to fashion advertising. It provides a vital contribution to cultural studies, art, history, literary criticism, anthropology, fashion history, media studies, gender studies, folklore studies and sociology. It is multi-disciplinary, features international coverage and is heavily illustrated.
The Edwardian Sense
This is the twentieth in a series of occasional volumes devoted to studies in British art, published by the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art and distributed by Yale University Press. --Book Jacket.
Lee Miller in Fashion
Lee Miller was a Vogue cover girl, Man Ray's lover, the first photojournalist at the liberation of Dachau and Buchenwald, and one of the most important female photographers of the 20th century. Combining fine art and urban wit, her photographic technique was learned from the great photographers of her day, among them are Edward Steichen, Man Ray and George Hoyningen-Huene. Becky E. Conekin's Lee Miller in Fashion gives us a wide lens view on Miller's fashion photography. Set against the fast-changing landscapes of New York, Paris, and London, it reveals a neglected chapter in Miller's life: how this incredible woman challenged conventions and broke boundaries in her fashion photography for the leading magazines of the day. Using never-before-seen photographs and archival research, Conekin shows how Miller's fashion photographs were a brilliant combination of sharp wit, high art and modernist edge--Source other than Library of Congess.
