You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"In re:skin, scholars, essayists, and short stort writers offer their perspectives on skin--as boundary and surface, as metaphor and physical reality."--Dust jacket front flap.
The essays examine how the study of facial features or expressions as indicative of character or ethnicity, has evolved from the crossroad of magic, religion and primitive medicine to present-day cultural concern for wellness and beauty. In this context, the discoveries of cranio-facial neurophysiology and psychology and the practice of cosmetic and reconstructive surgery have a centuries-old relationship with physiognomy. As the study of outward appearances evolved from its classical roots and self-representations through 18th- and 19th-century adaptations in fiction and travelogues, it gradually became a scientific discipline. Along the way, physiognomy was associated with phrenology and c...
Tracing the evolution of contemporary body discourse, this book analyses the tension between a fragmented and holistic body concept in performance art, popular culture, media arts, and architecture. It covers contemporary body discourse in philosophy and cultural studies to its roots in twentieth-century thought.
Introduction -- The roots of Salafism : strands of an unorthodox past, 1926-1970 -- Conquering custom in the name of Tawhid : the Salafi expansion of worship -- Praying in shoes : how to sideline a practice of the prophet -- The Salafi mystique : from fitna to gender segregation -- Leading with a fist : the genesis and consolidation of a Salafi beard -- Between pants and the jallabiyya : the adoption of Isbal and the battle for authenticity -- Conclusion.
The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as well. Consequently, the critical reflections gathered here are decidedly pluralistic and heterogeneous, inviting—not bracketing or partitioning—the dynamism and diversity of the arts, humanities, social sc...
"Radical Equalities and Global Feminist Filmmaking - An Anthology"’s main objective is to exhibit and unveil the fruit of the growing movement of feminist filmmakers around the world through interviews with current filmmakers themselves and through critical analysis of the works of these filmmakers. Every filmmaker we examine tells their own story about radical equality from a place that they have lived, are drawing from, or have imagined. The common theme in all of the films of our selected filmmakers is the obligation they feel towards the oppressed and the resulting ethics of interdependence their films exhibit. Some films give voice to those who are suffering in the shadows, or have be...
Throughout films and television series like The Piano, Bright Star, In the Cut and Top of the Lake, Jane Campion has constantly explored gender, subjectivity and narrative representation. In an intensive engagement with her cross-medium career, Bernadette Wegenstein examines how Campion gives a tangible and visible form to the female gaze in her exploration, deployment, and ultimately her subversion of highly formalized genres such as the period piece, the thriller, and the procedural drama. Keeping a strict focus on her directorial practice and specifically on the capacity of her cinematography to induce both empathy and estrangement, this vital new book shows how Campion is engaged in a permanent artistic and intuitive exposition of a profoundly feminist philosophical vision. Wegenstein's work will be invaluable to scholars and students in gender and women's studies, film studies and those on philosophy and film courses.
None
None
This collection of essays examines the war body on screen by drawing upon multiple and diverging view points, differing academic backgrounds and methodological approaches.