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The Insides of the Outsider: Women and the Poetics of Space and Place
When asked if being a woman had a negative impact on her ability to succeed as a writer, Argentine poet Alejandra Pizarnik stated that, even if not a physical impediment, being a woman in a patriarchal society is ‘a tragedy’ in itself. She followed this comment by saying: ‘What matters is what we do with our own tragedies’. Beyond sex assigned at birth, feminized bodies around the world share a similar phenomenological experience, which is dictated by a complicated relationship to space. Before setting pen to paper, the woman writer, a monster herself within patriarchal discourse, must confront the role society has set for her. For a writer in a feminized body, thus, the act of writi...
Female Agency in Films Made by Latin American Women
At a time of growing relevance for women’s social and cultural movements in the Americas, Female Agency in Films Made by Latin American Women examines how the increased prominence of women in a directorial role translates into new paradigms of female agency in Latin American filmmaking. This volume bridges the two main tendencies that have characterized gender-studies approaches to the region’s cinema to date: first, the survey-based analysis of films made by women and second, the study of how female characters are treated on the screen—by female and male directors. Bringing together both scholarly trends, this volume explores the complex modalities of female agency developed in recent films directed by women in Latin America, through innovative aesthetic and discursive strategies. Moving beyond consideration of visibility or representation, a diverse body of contributors in this book look for expressions of agency in the films’ gaze, their affective depth, the forms of care they bring to the fore, how they highlight their characters’ desires and subjectivities, and the bodily and sensorial experiences they convey.
The Political Imagination in Spanish Graphic Narrative
In a spirit of community and collective action, this volume offers insights into the complexity of the political imagination and its cultural scope within Spanish graphic narrative through the lens of global political and social movements. Developed during the critical years of the COVID-19 pandemic and global lockdown, the volume and its chapters reflect the interdisciplinary nature of the comic. They employ a cultural studies approach with different theoretical frameworks ranging from debates within comics studies, film and media theory, postcolonialism, feminism, economics, multimodality, aging, aesthetics, memory studies, food studies, and sound studies, among others. Scholars and students working in these areas will find the book to be an insightful and impactful resource.
100 Queer Films Since Stonewall
100 Queer Films identifies 100 films that shaped the trajectory of queer cinema, connected with larger movements, and showcased the artistry of queer filmmaking. In addition to those films that already hold significant places in queer film canons, this volume examines often-overlooked titles. By highlighting hidden gems alongside well known classics, this book makes a valuable, accessible contribution to queer film studies. While queer films have existed since the beginning of cinema, this book focuses on films released after the Stonewall uprising in 1969. Stonewall is considered a turning point for queer politics and representation, and the 50 years since that event have generated an explosion of queer creativity. The book describes significant formal elements of each film and connects them to their interrelated contexts. By moving in chronological order, it introduces a contemporary history of queer film and provides an overview of major developments in LGBTQ communities, cultures, and politics. This volume presents a framework for understanding the value of queer film.
Wandering Women
Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.
Radical Equalities and Global Feminist Filmmaking - An Anthology
"Radical Equalities and Global Feminist Filmmaking - An Anthology"’s main objective is to exhibit and unveil the fruit of the growing movement of feminist filmmakers around the world through interviews with current filmmakers themselves and through critical analysis of the works of these filmmakers. Every filmmaker we examine tells their own story about radical equality from a place that they have lived, are drawing from, or have imagined. The common theme in all of the films of our selected filmmakers is the obligation they feel towards the oppressed and the resulting ethics of interdependence their films exhibit. Some films give voice to those who are suffering in the shadows, or have be...
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