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Women Writing Greece
Women Writing Greece explores images of modern Greece by women who experienced the country as travellers, writers, and scholars, or who journeyed there through the imagination. The essays assembled here consider women's travel narratives, memoirs and novels, ranging from the eighteenth to the late twentieth century, focusing on the role of gender in travel and cross-cultural mediation and challenging stereotypical views of 'the Greek journey', traditionally seen as an antiquarian or Byronic pursuit. This collection aims to cast new light on women's participation in the discourses of Hellenism and Orientalism, examining their ideological rendering of Greece as at once a luminous land and a site crossed by contradictory cultural memories. Arranged chronologically, the essays discuss encounters with Greece by, among others, Lady Elizabeth Craven, Lady Hester Stanhope, Lady Montagu, Lady Morgan, Mary Shelley, Felicia Skene, Emily Pfeiffer, Eva Palmer, Jane Ellen Harrison, Virginia Woolf, Ethel Smyth, Christa Wolf, Penelope Storace and Gillian Bouras, and analyse them through a variety of critical, historical, contextual and theoretical frames.
In-between Two Worlds
Fourteen essays provide a challenging outlook on narratives by women explorers and travellers from five different continents, spanning nearly one century from 1850 to 1945. The map thus drawn enables one to revisit, restore, and reassess the content and the originality of these narratives by women. The essays are relevant to the fields of travel writing and gender studies, and all draw from referential contemporary theoretical and critical works (Michel Foucault, Homi Bhabha, Edward Said, Roland Barthes, Michel de Certeau, Gilles Deleuze, Sara Mills, Kristi Siegel, and Jane Robinson). The main interest and originality of the volume result from the perspectives adopted by the different authors. The text-oriented analyses rely on close reading, thus definitely providing accurate and perceptive critical insights into the narratives. Such perspective precludes erasing the differential features characterizing each geographical space and each travelling subject. It also moves away from any temptation at creating a naturalized mythical image of these women.
Imperialism
The philosopher W.B. Gallie argued many years ago that there could be no simple definition of words such as 'freedom' because they embodied what he called 'essentially contested concepts'. They were words whose meaning had to be fought over and whose compteting definitions arose out of political struggle and conflict. Imperialism, and its close ally, colonialism, are two such contested concepts. This set will give readers an insight in to the main lines of debate about the meanings of imperialism and colonialism over the last two centuries.
Men Alone
This study examines masculinity and individualism in four American novels of the 1920s and 1930s usually regarded as belonging to the genre of hard-boiled fiction. The novels under study are Red Harvest by Dashiell Hammett, The Postman Always Rings Twice by James M. Cain, They Shoot Horses, Don't They? by Horace McCoy, and To Have and Have Not by Ernest Hemingway. In this first full-length study of gender in hard-boiled fiction the genre is discussed as a representation of the ideologies of masculinity and individualism. Hard-boiled fiction is located in its historical and cultural context and it is argued that the genre, with its explicit emphasis on masculinity and masculine virtues, attempts to reaffirm a masculine order. The study argues that this emphasis is a counter-reaction to more general changes in the gender relations of the period. Indeed, hard-boiled fiction is argued to be an attempt to reconstruct a masculine identity based on anti-modern values generally accepted in the cultural context of the genre.
Jewish Women in Pre-State Israel
A critical look at the history and culture of women of the Yishuv and a call for a new national discourse
Orientalism
No detailed description available for "Orientalism".
Breaking the Bronze Ceiling
Breaking the Bronze Ceiling uncovers a glaring omission in our global memorial landscape—the conspicuous absence of women. Exploring this neglected narrative, the book emerges as the foremost guide to women's memorialization across diverse cultures and ages. As global memorials come under intense examination, with metropolises vying for a more inclusive recognition of female contributions, this book stands at the forefront of contemporary discussion. The book’s thought-provoking essays artfully traverse the complex terrains of gender portrayal, urban tales, ancestral practices, and grassroots activism—all anchored in the bedrock of cultural remembrance. Rich in the range of cases discu...
Undressing the Maid
This study analyses how the imaginary Finnish Maid (Suomi-neito) was used to construct the Finnish nation at the turn of the 20th century. It focuses on gender, femininity and masculinity, sexuality and body as well as on the images of virginity, bridehood and sexual violence. The study argues that Finnish male intellectuals saw the Finnish nation as their female beloved, a potential bride, but that they did not get her and the Finnish Maid remained an eternal virgin. In addition, the Finnish Maid was seen as being raped by the Russians. The materials analysed in this study consist of caricatures, poems and national monuments.
Empires of Antiquities
Empires of Antiquities is a history of the rediscovery of civilizations of the ancient Near East in the imperial order that evolved between the outbreak of the First World War and the 1950s. It explores the ways in which Near Eastern antiquity was redefined and experienced, becoming the subject of new regulation, new modes of knowledge, and international and local politics. A series of globally publicized spectacular archaeological discoveries in Iraq, Egypt, and Palestine, which the book follows, made antiquity visible, palpable and accessible as never before. The new uses of antiquity and its relations to modernity were inseparable from the emergence of the post-war world order, imperial c...
Romantic Paris
Romantic Paris is a richly illustrated survey of cultural life in Paris during some of the most tumultuous decades of the city's history. Between the coups d'état of Napoléon Bonaparte and of his nephew, Louis-Napoléon, Paris weathered extremes of political and economic fortune. Once the shining capital of a pan-European empire, it was overrun by foreign armies. Projects for grand public works were delayed and derailed by plague, armed uprisings, and civil war. At the same time, Paris was the theater of a revolution in the arts that challenged classical culture by depicting the vagaries of contemporary life and the thrill of unbridled experimentation. "Romantic Paris" produced Delacroix's...
