Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Archaeology of Thermalism. New studies on healing waters.
Engramma214 presents the results of a new season of studies focused on the archaeology of thermal sites. The narrative of this first volum emerges ancient votive religion with thermal medicine in context and follows a chronological and spatial order. Different papers address the preliminary results of the excavation at Bagno Grande in San Casciano dei Bagni (Italy) (Jean Turfa; Emanuele Mariotti; Edoardo Vanni; Mattia Bischeri). This case study becomes an input to revise past and forgotten excavations in Tuscany (Jacopo Tabolli, Debora Barbagli, Cesare Felici; Marco Pacifici) and to reconsider the votive role of bodies in ancient sanctuaries (Olivier de Cazanove). From Etruscan to Roman, pap...
191 | Aby Warburg: His Aims and Methods
In this issue of Engramma: Giulia Zanon’s Zooming Mnemosyne deals with the use of details in Warburg’s Bilderatlas, Monica Centanni’s Collateral effects of the “visibile parlare” (Dante, Pg. X, v. 95) reconstructs the hypothesis of a visual model for the legend of Trajan’s Justice, according to Warburg intuition about it; this contribution is connected of the paper by Filippo Perfetti’s Dante, Botticelli, and Trajan. An Open Note where the author investigates how Botticelli could have come to know that the bas-relief of the Arch of Constantine liberatori urbis was related to an episode in Trajan's life”. The focus of this issue is then extended to Warburg's cultural environme...
e179 | Borders Cuts Images
Borders Cuts Images. History and Theory. Editorial, edited by Linda Bertelli and Maria Luisa Catoni Maria Luisa Catoni, Cut as a device. An example from Classical Antiquity. Camilla Pietrabissa, Cutting down the interpretation of drawings. The case of Watteau. Maja-Lisa Müller, Framing representation. The hybrid zones of intarsia. Costanza Caraffa, The photographic cut and cutting practices in photographic archives. Sara Romani, From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860). Laura Di Fede, A look from outside. Foreign photographers in Palermo between the 19th and 20th centuries. Agnese Ghezzi, Framing the ‘delegated gaze’...
Warburg Updated. Bibliography and Mnemosyne Atlas
Issue 219 of Engramma, entitled ‘Warburg Updated. Bibliography and Mnemosyne Atlas’, marks a further stage in the development of studies on Warburg and the Mnemosyne Atlas. The issue is divided into two sections: the first, ‘Aby Warburg and Mnemosyne Atlas. Readings and Pathways through the Bilderatlas’ explores the analysis of the Atlas conducted by the Mnemosyne Seminar. The second part, ‘Bibliography. Works by Aby Warburg, Warburgkreis and Secondary Literature’, offers a new version of Warburg’s bibliography, updated to December 2024.
Bibliography. Works by Aby Warburg, Warburgkreis and Secondary Literature
This Bibliography is a selection of the main editions of Aby M. Warburg’s works, essays, and critical materials.It is the result of a composite work in progress, a necessarily dynamic process started in 2004, which has so far involved several members of the Seminario Mnemosyne. We invite scholars and readers to send suggestions for the inclusion of further bibliographic entries to the Editorial board of Engramma.
Bibliography. Works by Aby Warburg and secondary Literature
This Bibliography is a selected compilation of the main editions of Aby M. Warburg’s works, essays and critical materials. It is the result of a stratified work started in 2004, which had involved several members of the Seminario Mnemosyne. We invite scholars and readers to send suggestions for the inclusion of further bibliographic entries to the Editorial board of Engramma.
Under the Volcano. Warburg’s Legacy
Under the Volcano. Warburg’s Legacy, explores the enduring influence of Aby Warburg’s ideas, likening his intellectual legacy to volcanic activity–continually shaping the landscape of cultural history. If Warburg “was a volcano”, this issue is structured around the metaphorical fissures and lava flows, and is divided into four sections: Unpublished, Rediscovery, Readings, Presentation.
