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The Berlin Tenement and the City
The Berlin Tenement and the City describes the development of the Berlin tenement from 1860 to 1914, showing how it became both Berlin’s standard housing type and its principal urban component – the city’s ubiquitous typology. In contrast to earlier historical categorizations of the tenement as a ‘rental barrack,’ here it is described as an evolving typology that dynamically responded to the demands of the city and urban reform. In this dynamic understanding of architecture, the tenement is the protagonist of the actual unfolding of the city, its growth and densification, as well as its spatial and social differentiation. Charting the evolution of the productive tenement into a morphology combining living and manufacturing and the rise of tenements increasingly differentiated according to class traces their contribution to the evolution and generalization of norms of housing and domesticity. This book is essential reading for scholars, students, architects and urbanists interested in Berlin or the history of housing and the city.
Cultural Topographies of the New Berlin
Since Unification and the end of the Cold War, Berlin has witnessed a series of uncommonly intense social, political, and cultural transformations. While positioning itself as a creative center populated by young and cosmopolitan global citizens, the “New Berlin” is at the same time a rich site of historical memory, defined inescapably by its past even as it articulates German and European hopes for the future. Cultural Topographies of the New Berlin presents a fascinating cross-section of life in Germany’s largest city, revealing the complex ways in which globalization, ethnicity, economics, memory, and national identity inflect how its urban spaces are inhabited and depicted.
Reconfiguring the Portrait
This collection of essays explores the stakes of that seemingly anachronistic comeback. It reframes portraiture as a set of cultural techniques for the dynamic performance of subjects entangled in specific medial configurations. Tracking the portrait across a wide range of media - literature, drawings, paintings, grave stelae, films, gallery installations, contemporary music videos, deep fakes, social media, video games and immersive VR interfaces - the contributors interrogate and transform persistent metaphysical and anthropocentric assumptions inherited from traditional notions of portraiture.As technological practices of the portrait have proliferated across the media ecosystem in recent years, this canonical genre of identity and representation has provoked a new wave of scholarly attention and artistic experimentation.
The Container Principle
A cultural history of the shipping container as a crucible of globalization and a cultural paradigm. We live in a world organized around the container. Standardized twenty- and forty-foot shipping containers carry material goods across oceans and over land; provide shelter, office space, and storage capacity; inspire films, novels, metaphors, and paradigms. Today, TEU (Twenty Foot Equivalent Unit, the official measurement for shipping containers) has become something like a global currency. A container ship, sailing under the flag of one country but owned by a corporation headquartered in another, carrying auto parts from Japan, frozen fish from Vietnam, and rubber ducks from China, offers a...
Windows Upon Planning History
Windows Upon Planning History delves into a wide range of perspectives on urbanism from Europe, Australia and the USA to investigate the effects of changing perceptions and different ways of seeing cities and urban regions. Fischer, Altrock and a team of 13 distinguished authors examine how and why the ideologies and the processes of city making changed in modern and post-modern times. Illustrated with over 45 images, the themes addressed in the book range from the changing outlook on Berlin’s historic apartment districts and their demolition, salvation and gentrification to how planning was deployed to support dictatorship; from the shattering of myths like democracies totally departing from preceding dictatorships to the model of the post-war modern city and its fate towards the end of the twentieth century. The volume combines case studies of cities on three continents with reflections on the historiography and the state of planning history. With a foreword by Stephen V. Ward, this book will appeal to a wide readership interested in the histories of planning, architecture and cities.
Cultural Techniques
This volume presents the preliminary results of the work carried out by the interdisciplinary cultural techniques research lab at the University of Erfurt. Taking up an impulse from media studies, its contributions examine —from a variety of disciplinary perspectives—the interplay between the formative processes of knowledge and action outlined within the conceptual framework of cultural techniques. Case studies in the fields of history, literary (and media) studies, and the history of science reconstruct seemingly fundamental demarcations such as nature and culture, the human and the nonhuman, and materiality and the symbolical order as the result of concrete practices and operations. These studies reveal that particularly basic operations of spatialization form the very conditions that determine emergence within any cultural order. Ranging from manual and philological "paper work" to practices of opening up and closing off spaces and collective techniques of assembly, these case studies replace the grand narratives of cultural history focusing on micrological examinations of specific constellations between human and nonhuman actors.
The Re-Use of Urban Ruins
How do urban ruins provoke their cultural revaluation? This book offers a unique sociological analysis about the social agencies of material culture and atmospheric knowledge of buildings in the making. It draws on ethnographic research in Berlin along the former Palace of the Republic, the E-Werk and the Café Moskau in order to make visible an interdisciplinary regime of design experts who have developed a professional sensorium turning the built memory of the city into an object of aesthetic inquiry.
Ethnographien der Sinne
Die Rolle sinnlicher Wahrnehmung fand in der Alltagskulturforschung bisher wenig Beachtung. Dieser Band greift deshalb die Forderung nach einer Einbindung der Sinne in die ethnographische Forschungspraxis auf. Die versammelten Beiträge befragen sinnliche Wahrnehmung kritisch – sowohl hinsichtlich der Körperlichkeit von Alltagserfahrungen und resultierender Epistemologien als auch in Hinblick auf Konsequenzen ethnographischer Forschungsprozesse. Das Ausloten der Möglichkeiten und Grenzen sinnlicher Wahrnehmung erlaubt theoretisch-methodische Neukonzeptionen sowie ein konkretes Nachspüren von Feldern, die z.B. Räume, Medien oder Subjektkonstitutionen streifen. Mit Beiträgen u.a. von Jochen Bonz, Simone Egger und Sarah Pink.
