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Karl Haushofer, a Bavarian general and professor, is widely recognized as the “father of geopolitics.” In 1945 the United States sought to put him on trial at Nuremberg as a major war criminal for being “Hitler’s intellectual godfather” and the true author of Mein Kampf. In this definitive biography, noted historian Holger H. Herwig assesses the fiction and reality behind these claims. Making comprehensive use of Haushofer’s previously unavailable private papers, Herwig analyzes Haushofer’s geopolitical concepts, his relations with his student Rudolf Hess, and his mentorship of Hitler and Hess at Landsberg Prison in 1924. Herwig offers unique insights into Haushofer’s crucial behind-the-scenes influence in providing the Nazis with his theories of Autarky and Lebensraum, the rationale for Germany’s control of Europe and the world. This riveting book ends with Haushofer’s final verdict on himself: “I want to be forgotten and forgotten.” But the author concludes with the admonition that the “demon” of Geopolitik demands much closer scrutiny in this new age of geopolitics.
Formato del archivo: PDF The present volume collects the updated versions of several contributions already published elsewhere and some new chapters on the history of education in Spain and Germany which have been brought together in this form for the benefit of those attending English-language classes on the topic aimed at international as well as Spanish students. The individual articles function as case studies of different fields in the history of education. They are characterised not only by their difference in focus, but also in the methods and sources they include, providing an insight into the breadth and variety of the field. It is particularly noteworthy that the comparative orientation of several articles moves beyond a national perspective of history, demonstrating concrete examples of the transnational interconnectedness of producing and circulating educational knowledge.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1950–1959: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1950, through the 31st of December, 1959. The volume chronicles more than 3,100 productions at 52 major c...
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