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Daniel Eatock Imprint
  • Language: en
  • Pages: 234

Daniel Eatock Imprint

Imagine the work of a young designer for whom concept and humor are more important than the glossy aesthetics of mainstream periodicals and design annuals and for whom the message trumps the media, and you begin to get an idea of the refreshingly smart and thought-provoking work of Daniel Eatock. Rejecting the widely held opinion that work made without a client is "art" and work for hire is "design," Eatock challenges both categories by purposely blurring the distinction. Whether he is solving traditional client problems or those of his own choosing, Eatock’s work responds to personal fascinations and the pure desire to invent, discover, and present. The first monograph on this unconventio...

Daniel Eatock
  • Language: en
  • Pages: 28

Daniel Eatock

  • Type: Book
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  • Published: 2017
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  • Publisher: Unknown

A selection of photographs and an essay about cars by Daniel Eatock.

Daniel Eatock
  • Language: en
  • Pages: 304

Daniel Eatock

  • Type: Book
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  • Published: 2016-09
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  • Publisher: Unknown

The felt-tip pen artworks of Daniel Eatock.

Graphic Design, Referenced
  • Language: en
  • Pages: 404

Graphic Design, Referenced

  • Type: Book
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  • Published: 2012
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  • Publisher: Unknown

From Caslon and Carson, from Gutenberg to Greiman, from Lascaux to letterpress, and from Postmodernism to pixel (among other entries), this title will provide all the necessary information and visual cues that designers need to know in order to become empowered, work efficiently and knowingly, and survive in a design conversation with peers.

Graphic Design, Referenced
  • Language: en
  • Pages: 401

Graphic Design, Referenced

Graphic Design, Referenced is a visual and informational guide to the most commonly referenced terms, historical moments, landmark projects, and influential practitioners in the field of graphic design. With more than 2,000 design projects illustrating more than 400 entries, it provides an intense overview of the varied elements that make up the graphic design profession through a unique set of chapters: “principles" defines the very basic foundation of what constitutes graphic design to establish the language, terms, and concepts that govern what we do and how we do it, covering layout, typography, and printing terms; “knowledge" explores the most influential sources through which we le...

Design Graphique Au 21e Siécle
  • Language: en
  • Pages: 648

Design Graphique Au 21e Siécle

  • Categories: Art
  • Type: Book
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  • Published: 2003
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  • Publisher: Taschen

Presents a sweeping look at today's most progressive graphic currents - from signage and packaging to branding and web design.

Daniel Eatock
  • Language: en

Daniel Eatock

  • Type: Book
  • -
  • Published: 2016-06-20
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  • Publisher: Unknown

The felt-tip pen artworks of Daniel EatockPlus limited edition artwork

Daniel Eatock
  • Language: en

Daniel Eatock

  • Type: Book
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  • Published: 2014
  • -
  • Publisher: Unknown

None

Anatomy of Design
  • Language: en
  • Pages: 211

Anatomy of Design

DIVAnatomy of Design dissects fifty examples of graphic design piece by piece, revealing an array of influences and inspirations. These pieces represent contemporary artifacts that are well conceived, finely crafted, and filled with hidden treasures. Some are overtly complex. Others are so simple that it is hard to believe there’s a storehouse of inspiration hidden underneath. The selections include all kinds of design work including posters, packages, and more. Each exhibit is selected for its ubiquity, thematic import, and aesthetic significance, and every page shows howgreat work is derived from various inspirational and physical sources, some well-known, some unknown./div

Dwell
  • Language: en
  • Pages: 176

Dwell

  • Type: Magazine
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  • Published: 2008-02
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  • Publisher: Unknown

At Dwell, we're staging a minor revolution. We think that it's possible to live in a house or apartment by a bold modern architect, to own furniture and products that are exceptionally well designed, and still be a regular human being. We think that good design is an integral part of real life. And that real life has been conspicuous by its absence in most design and architecture magazines.