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TikTok Broadway
TikTok Broadway: Musical Theatre Fandom in the Digital Age explores how TikTok has revolutionized musical theatre fandom and democratized musical theatre fan cultures and spaces. The book argues that TikTok has created a new canon of musical theatre thanks to the way virality works on the app, expanding musical theatre into a purely digital realm that spills into other, non-digital aspects of U.S. popular culture.
Applied Theatre and Gender Justice
Applied Theatre and Gender Justice is a collection of essays highlighting the value and efficacy of using applied theatre to address gender in a broad range of settings, identifying challenges, and offering concrete best practices. This book amplifies and shares lessons from practitioners and scholars who use performance to create models of collective solidarity, building upon communities’ strengths toward advocating for justice and equity. The book is divided into thematic sections, comprising three essays addressing a range of questions about the challenges, learning opportunities, and benefits of applied theatre practices. Further exploring the themes, issues, and ideas, each section en...
Shaping Shakespeare for Performance
Shaping Shakespeare for Performance: The Bear Stage collects significant work from the 2013 Blackfriars Conference. The conference, sponsored by the American Shakespeare Center, brings together scholars, actors, directors, dramaturges, and students to share important new work on the staging practices used by William Shakespeare and his contemporaries. The volume’s contributors range from renowned scholars and editors to acclaimed directors, highly-trained actors, and budding researchers. The topics cover a similarly wide range: a close reading of an often-cut scene from Henry V meets an account of staging pregnancy; a meticulous review of early modern contract law collides with an analysis of an actor in a bear costume; an account of printed punctuation from the 1600s encounters a study of audience interaction and empowerment in King Lear; the identification of candid doubling in A Comedy of Errors meets the troubling of gender categories in The Roaring Girl. The essays focus on the practical applications of theory, scholarship, and editing to performance of early modern plays.
The Shakespeare User
This innovative collection explores uses of Shakespeare in a wide variety of 21st century contexts, including business manuals, non-literary scholarship, database aggregation, social media, gaming, and creative criticism. Essays in this volume demonstrate that users’ critical and creative uses of the dramatist’s works position contemporary issues of race, power, identity, and authority in new networks that redefine Shakespeare and reconceptualize the ways in which he is processed in both scholarly and popular culture. While The Shakespeare User contributes to the burgeoning corpus of critical works on digital and Internet Shakespeares, this volume looks beyond the study of Shakespeare artifacts to the system of use and users that constitute the Shakespeare network. This reticular understanding of Shakespeare use expands scholarly forays into non-academic practices, digital discourse communities, and creative critical works manifest via YouTube, Twitter, blogs, databases, websites, and popular fiction.
Sports Plays
Sports Plays is a volume about sports in the theatre and what it means to stage sports. The chapters in this volume examine sports plays through a range of critical and theoretical approaches that highlight central concerns and questions both for sports and for theatre. The plays cut across boundaries and genres, from Broadway-style musicals to dramas to experimental and developmental work. The chapters examine and trouble the conventions of staging sports as they open possibilities for considering larger social and cultural issues and debates. This broad range of perspectives make the volume a compelling resource for students and scholars of sport, theatre, and performance studies whose interests span feminism, sexuality, politics, and race.
Early Modern Liveness
"What does it mean for early modern theatre to be 'live'? And how have audiences over time experienced a sense of 'liveness'? This collection extends discussions of 'liveness' to works from the 16th and 17th century, both in their initial incarnations and contemporary adaptations. Drawing on media theory, this study uses the concept of 'liveness' to consider how the early modern theatre - including non-Western and non-traditional performance practices - employs embodiment, materiality, temporality and perception to impress on its audience a sensation of presence. The volume's contributors adopt varying approaches and cover a range of topics from material textual studies, to early modern rehe...
Recipes on the Move in Early Modern England and British North America
Using feminist and ecocritical approaches alongside recent historical work on early modern trade and commerce, this volume focuses on early modern manuscripts whose travels can be traced from one location to another. It illustrates how recipes came to blend newly encountered ingredients and practices with long-established healthcare methods. In the process, it offers attention to both the English countryside and the American colonies to expand what is often a London-centered view of English healthcare. Tracing the circulation of women's domestic knowledge and considering the availability of ingredients, this work shows how mobility brought new methods and materials to home healthcare, which in turn influenced how women and their families envisioned their relationships to their environment, their bodies, and their nation.
Theatres of Value
Explores the value of Shakespeare for theatrical businesspeople and audiences in nineteenth-century New York City.
Revenge is Mad Hard
In April of 2021, a small theatre in Philadelphia took a big risk: The Wilma premiered a new play called Fat Ham by a then-almost-unknown playwright, James Ijames. Fat Ham reconfigures the story of Hamlet through the lens of a family barbeque in the American South. In Ijames’ play, Shakespeare’s protagonist becomes a fat, queer, Black man named Juicy. Juicy’s mother has just married his uncle in the wake of his father’s murder and Juicy himself is still dealing with grief about these events and the generational trauma they amplify as he strives for some thread of hope. The play made big waves; Ijames won the 2022 Pulitzer Prize for Drama, and it was nominated for five Tony awards in ...
Jewish Currents
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