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This beautifully illustrated book offers a synthesis of Cleopatra’s and Rome’s defining moments through surviving art and other remnants of what was once an opulent material culture. This culture best chronicles Cleopatra’s legend and suggests her subtle but indelible mark on the art of imperial Rome at the critical moment of its inception.
Roman sculpture was an integral part of Roman life, and the Romans placed statues and reliefs in their flora, basilicas, temples and public baths as well as in their houses, villas, gardens and tombs.
Helps readers understand the imaging of the church as a woman and mother in its beginnings and the implications for the contemporary church.
At its most expansive, the Roman Empire stretched from the British Isles to Egypt; Rome was the ancient world's greatest superpower. Roman Architecture: A Visual Guide is an illustrated introduction to the great buildings and engineering marvels of Rome and its empire. Published as a companion volume to Diana E. E. Kleiner's course on Roman Architecture given through Coursera (first offered in January 2014 but based on a class she has long taught at Yale), this enhanced e-book explores not only Rome but also buildings preserved at Pompeii, Herculaneum, Ostia, Tivoli, North Italy, Sicily, France, Spain, Germany, Greece, Turkey, Croatia, Jordan, Lebanon, and North Africa. Beginning with the bi...
Analysis of the body language of statues of men and women as an indicator of gender relations in Roman society.
From monumental tombs and domestic decoration, to acts of benefaction and portraits of ancestors, Roman freed slaves, or freedmen, were prodigious patrons of art and architecture. Traditionally, however, the history of Roman art has been told primarily through the monumental remains of the emperors and ancient writers who worked in their circles. In this study, Lauren Petersen critically investigates the notion of 'freedman art' in scholarship, dependent as it is on elite-authored texts that are filled with hyperbole and stereotypes of freedmen, such as the memorable fictional character Trimalchio, a boorish ex-slave in Petronius' Satyricon. She emphasizes integrated visual ensembles within defined historical and social contexts and aims to show how material culture can reflect preoccupations that were prevalent throughout Roman society. Interdisciplinary in scope, this book explores the many ways that monuments and artistic commissions by freedmen spoke to a much more complex reality than that presented in literature.
Examines portraits of Rome's Vestal Virgins as artistic documents and political vehicles
This is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems. This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, w...
This book reconsiders a wide array of images of Byzantine empresses on media as diverse as bronze coins and gold mosaic from the fifth through to the seventh centuries A.D. The representations have often been viewed in terms of individual personas, but strong typological currents frame their medieval context. Empress Theodora, the target of political pornography, has consumed the bulk of past interest, but even her representations fit these patterns. Methodological tools from fields as disparate as numismatics as well as cultural and gender studies help clarify the broader cultural significance of female imperial representation and patronage at this time.
This is the first study of the royal women who ruled in the Mediterranean in the latter first century BC, in a symbiotic relationship with the Roman government. Several are discussed, with the most prominent being Cleopatra Selene (the daughter of the famous Cleopatra VII of Egypt) and Salome, the sister of Herod the Great.