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The Place of Many Moods
A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits...
Iran and Persianate Culture in the Indian Ocean World
The first interdisciplinary study of the history of contact between Iranians and the peoples and polities of the Indian Ocean. Most of the historiography of the Iranian world focuses on interactions and migrations between Iran, Central Asia and India. Nonetheless, this Iranian world was also closely connected to the maritime one of the Indian Ocean. While scholarship has drawn attention to diverse elements of these latter interactions, ranging from the claims to Shirazi descent of East African communities, to Persian elements in Malay literature, and Iranian communities of merchants in China, such studies have remained largely isolated from one another. The consensus of historiography on the...
Making the 'Woman'
The book examines the representation of women, their agency and subjectivity and gender relations in 18th- and 19th-century India. The chapters in the volume interrogate notions and discourses of ‘women’ and ‘gender’ during the period, historically shaped by multiple and even competing actors, practices and institutions. They highlight the ‘making of the woman’ across a wide spectrum of subject areas, regions and roles and attempt to understand the contradictions and differences in social experiences and identity formations of women. The volume also deals with prevalent notions of masculinity and femininity, normative and non-conformist expressions of gender and sexual identity and epistemological concerns of gender, especially in its intersectional interplay with other axes of caste, class, race, region and empire. Presenting unique understandings of our gendered pasts, this volume will be of great interest to scholars and researchers of history, gender studies and South Asian studies.
The Art of Cloth in Mughal India
"When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from ...
The Building of Vṛndāvana
The small town of Vṛndāvana is today one of the most vibrant places of pilgrimage in northern India. Throngs of pilgrims travel there each year to honour the sacred land of Kṛṣṇa’s youth and to visit many of its temples. The Building of Vṛndāvana explores the complex history of this town’s early modern origins. Bringing together scholars from various disciplines to examine history, architecture, art, ritual, theology, and literature in this pivotal period, the book examines how these various disciplines were used to create, develop, and map Vṛndāvana as the most prominent place of pilgrimage for devotees of Kṛṣṇa. Contributors are: Guy L. Beck, Måns Broo, David Buchta, John Stratton Hawley, Barbara A. Holdrege, Rembert Lutjeharms, Cynthia D. Packert, and Heidi Pauwels.
Eighteenth-Century Indian Muraqqaʿs
Fourteen essays and one appendix discuss numerous eighteenth-century Indo-Persianate albums (muraqqaʿs) consisting of folios with paintings, calligraphic pieces, and elaborate decorative margins. These albums – now in Berlin, Baroda, London, Paris, and Manchester – were assembled for or collected by the Mughal nawabs of Awadh (Uttar Pradesh), local elites in Bengal and Bihar, as well as Europeans. The book not only presents hitherto rarely investigated material, but also provides general information and many new discoveries based on first-hand codicological study and historical research. It will significantly expand our knowledge of the production, collecting practices, and audiences of muraqqaʿs in eighteenth-century India.
Water Histories of South Asia
This book surveys the intersections between water systems and the phenomenology of visual cultures in early modern, colonial and contemporary South Asia. Bringing together contributions by eminent artists, architects, curators and scholars who explore the connections between the environmental and the cultural, the volume situates water in an expansive relational domain. It covers disciplines as diverse as literary studies, environmental humanities, sustainable design, urban planning and media studies. The chapters explore the ways in which material cultures of water generate technological and aesthetic acts of envisioning geographies, and make an intervention within political, social and cul...
Jagmandir on Lake Pichola
Architecture of Jagmandir, a palace in Udaipur, situated on the banks of Lake Pichola.
Maharaj Shakti Singh and the Shaktawats of Boheda
Boheṛā Ṭhikāna, a small town in the princely state of Mewar.
