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The Art of Urbanization
The Art of Urbanization reexamines a forgotten tradition in Belgian and European planning history, reconstructed through a longitudinal analysis of the Study Committee of the Antwerp Agglomeration (1907-1939). Against prevailing trends, Antwerp’s urban expansion was not the product of rational master planning, but evolved gradually through collective and pragmatic responses to emerging urban questions. Drawing on a wide range of historical sources and richly illustrated, the book reconstructs how numerous sub-plans – each addressing economic, sociocultural, political and ecological needs – coalesced into the incremental components of a reasoned and dynamic urban agglomeration. As it engages with classical concepts in urban theory and global urban history, The Art of Urbanization is presented as a generative, redistributive, reproductive, and situated worlding practice – offering a fresh perspective on urbanism that resonates in our current age of (planetary) urbanization.
La peinture ancienne et ses procédés
Ces Actes du Colloque XV pour l'etude du dessin sous-jacent et de la technologie dans la peinture (Bruges, 11-13 septembre 2003), reunissent trente-six etudes traitant d'oeuvres d'art flamand, espagnol, portugais, italien et francais. Ces etudes sont suivies, comme dans les Actes precedents, d'une bibliographie de l'infrarouge.Depuis de nombreuses annees on sait que la peinture ancienne est constituee - outre d'oeuvres dites "originales" - de copies, de repliques et de pastiches, produites dans des ateliers actifs qui faisaient appel a des collaborations. Les bases sur lesquelles on avait fonde jadis les catalogues des maitres sont ebranlees. De nombreuses attributions doivent etre revues. L...
Jan van Eyck and Portugal's 'Illustrious Generation'
This book investigates Jan Van Eyck's patronage by the Crown of Portugal and his role as diplomat-painter for the Duchy of Burgundy following his first voyage to Lisbon in 1428-1429, when he painted two portraits of Infanta Isabella, who became the third wife of Philip the Good in 1430. New portrait identifications are provided for the Ghent Altarpiece (1432) and its iconographical prototype, the lost Fountain of Life. These altarpieces are analysed with regard to King Joao I's conquest of Ceuta, achieved by his sons, who were hailed as an "illustrious generation." Strong family ties between the dynastic houses of Avis and Lancaster explain Lusitania's sustained fascination with Arthurian lo...
Mary, Mother of God
By clothing the Word with her flesh, the Virgin Mary made God visible, manifesting Christ as a perfect “image” of the Father. By virtue of this archetypal “artistry” of Incarnation, Mary mediates the tradition of Christian image-making. This volume explores images of the Mother of God in early modern devotion, piety, and power. The book is divided into four sections, the first three of which link the subjects thematically and geographically in Europe, while the last one follows Mary’s legacy. Contributors include: Elliott D. Wise, Anna Dlabačová, James Clifton, Kim Butler Wingfield, Barbara Baert, Steven Ostrow, Barbara Haeger, Shelley Perlove, Cristina Cruz González, and Mehreen Chida-Razvi.
Prayers and Portraits
The diptych format - comprising two panels hinged together so that they can be opened and closed like a book - was prevalent in Netherlandish art and depicted subjects ranging from secular portraiture to religious personages and stories. This illustrated book, the first ever devoted to the topic, examines approximately forty pairs of Netherlandish paintings from the fifteenth and sixteenth centuries. Featuring magnificent works by Jan van Eyck, Hugo van der Goes, Hans Memling, and Rogier van der Weyden, among others, the book also covers a wide range of themes, including painting techniques, workshop practice, and the art market in the Netherlands of the time. With discussions on each painti...
Anonymous Art at Auction
Working with a data set accounting for 13,000 auction sales results, Anne-Sophie V. Radermecker explores what contemporary buyers value when purchasing paintings of unknown or uncertain authorship, and which variables influence price formation mechanisms in this market segment. The principle finding of this book is not only that historical names matter in the art market, but so do all other alternative identification strategies that art market players use to label anonymous paintings. Indirect names, provisional names, and spatiotemporal designations function as substitutes for real names that simulate identities, create ex-post stories around the artworks offered for sale, and, consequently, reduce information asymmetry about an artist’s identity, with, at time, quite unexpected effects on price.
Hans Memling and the Merchants
A social history of the fifteenth-century German painter’s influence. Emigrating from southern Germany in the late fifteenth century, painter Hans Memling sought success in the vibrant commercial hub of Bruges. He found an audience, not among the nobility or clergy, but in the newly emerging urban middle class: bankers, financiers, politicians, and artisans. His work, therefore, reached a diverse community across Europe—in Castile, England, Genoa, Bologna and Florence. This book explores the social and material aspects of Memling’s career and workshop as a window into Bruges’s rise as an early modern commercial hub, rife with international trade, factional politics, artisanal guilds, devotional conflict, and a burgeoning middle-class clientele.
Man, Myth, and Sensual Pleasures
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).
