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Illustrated with contemporary case studies, Curating Design provides a history of and introduction to design curatorial practice both within and outside the museum. Donna Loveday begins by tracing the history of the collecting and display of designed objects in museums and exhibitions from the 19th century 'cabinet of curiosities' to the present day design museum. She then explores the changing role of the curator since the 1980s, with curators becoming much more than just 'keepers' of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum's role as a space of learning for its visitors. Curating as a practice now describes the production of ...
This pioneering collection of essays by Japanese, British and Canadian scholars demonstrates how individuals, government agencies and non-governmental organizations have confirmed and challenged the ideas of diplomats and statesmen. Case studies of mutual perceptions, feminism, ceremonial, theatre, economic and social thought, fine arts, broadcasting, labour and missionary activity all illustrate how varieties of nationalism and internationalism have shaped the development of Anglo-Japanese relations. Furthermore it reveals the British admiration of Japan and a desire to emulate Japanese efficiency as a recurring theme in debates on the condition of Britain in the twentieth century.
British culture is marked by indelible icons—red double-decker buses, large oak wardrobes, and the compact sleekness of the Mini. But British industrial and product design have long lived in the shadows of architecture and fashion. Cheryl Buckley here delves into the history of British design culture, and in doing so uniquely tracks the evolution of the British national identity. Designing Modern Britain demonstrates how interior design, ceramics, textiles, and furniture craft of the twentieth century contain numerous hallmark examples of British design. The book explores topics connected to the British design aesthetic, including the spread of international modernism, the eco-conscious de...
This open access book on open-source data and the trade in cultural heritage is foundational for object biography, provenance research studies, and social science methodological education. Interest in studying the (illicit) trade in cultural objects, as well questions around ownership, access and protection, have grown in recent years. However, this interdisciplinary field requires a range of methodological skills in order to trace an object's ownership history and the social network underpinning its trade. Drawing from a diverse group of researchers and practitioners, this edited volume brings together methodological, ethical and disciplinary considerations in the use of open source data to research the trade and transfer of cultural objects. As such, it will serve as the paramount guide to anyone who is interested in doing research on this topic.
Arguing in favour of renewed critical attention to the 'nation' as a category in art history, this study examines the intertwining of art theory, national identity and art production in Britain from the early eighteenth century to the present day. The book provides the first sustained account of artwriting in the British context over the full extent of its development and includes new analyses of such central figures as Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller and Rasheed Araeen. Mark A. Cheetham also explores how the 'Englishing' of art theory-which came about despite the longstanding occlusion of the intellectual and theoretical in British cu...
'We'll all recognise ourselves somewhere in this book' Emily Chappell 'One of the best cycling books of all time' BookAuthority A joyful dose of inspiration that every cyclist, from rookie to randonneur, can take something valuable from' Road.cc If your bike has become your biggest escape of late, Back in the Frame from award-winning blogger, Lady Vélo, is the book for you Jools Walker rediscovered cycling aged 28 after a decade-long absence from the saddle. When she started blogging about her cycle adventures under the alias Lady Vélo, a whole world was opened up to her. But it's hard to find space in an industry not traditionally open to women - especially women of colour. Shortly after ...
This book provides the genealogical connection of the Frey, Sander and extended families. The genealogical record is traced from the late 1500’s of central Europe to the Russian Steppes near what is now Odessa Ukraine and finally to the Prairies of North America. Brief historical descriptions are included to provide some insight into the reasons why the families relocated. The major part of the book traces the ancestral lines through the years and includes church and civil records as genealogical prime sources.
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Published to accompany the exhibition at the Barbican Art Gallery, London, 19 April - 16 June 1991.
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