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Architecture in Translation
Esra Akcan describes the introduction of modern architecture into Turkey after the Kemalist political elite took power in 1923 and invited German architects to redesign the new capital of Ankara.
Making Modernity in the Islamic Mediterranean
The Islamic world's artistic traditions experienced profound transformation in the 19th century as rapidly developing technologies and globalizing markets ushered in drastic changes in technique, style, and content. Despite the importance and ingenuity of these developments, the 19th century remains a gap in the history of Islamic art. To fill this opening in art historical scholarship, Making Modernity in the Islamic Mediterranean charts transformations in image-making, architecture, and craft production in the Islamic world from Fez to Istanbul. Contributors focus on the shifting methods of production, reproduction, circulation, and exchange artists faced as they worked in fields such as photography, weaving, design, metalwork, ceramics, and even transportation. Covering a range of media and a wide geographical spread, Making Modernity in the Islamic Mediterranean reveals how 19th-century artists in the Middle East and North Africa reckoned with new tools, materials, and tastes from local perspectives.
Is Paris Still the Capital of the Nineteenth Century?
"Is Paris Still the Capital of the Nineteenth Century?" The question that guides this volume stems from Walter Benjamin's studies of nineteenth-century Parisian culture as the apex of capitalist aesthetics. Thirteen scholars test Benjamin's ideas about the centrality of Paris, formulated in the 1930s, from a variety of methodological perspectives. Many investigate the underpinnings of the French capital's reputation and mythic force, which was based largely upon the city's capacity to put itself on display. Some of the authors reassess the famed centrality of Paris from the vantage point of our globalized twenty-first century by acknowledging its entanglements with South Africa, Turkey, Japa...
Wealth Accumulation and Entrepreneurship in the Ottoman Empire, 18th to 20th Centuries
This book provides a significant contribution to our understanding of the Ottoman Empire’s economic history, particularly through its exploration of local entrepreneurship, which brings new perspectives to the economic dynamics of the region. This focus adds a valuable dimension to the broader narrative of Mediterranean social and economic developments from the 18th to the 20th century. By emphasizing the role of both Muslim and non-Muslim agents, the work challenges more Eurocentric narratives that have often influenced the historiography of economic activities in this region. The inclusion of Ottoman, Turkish, and Greek sources underlines the importance of accessing voices and records th...
The Parthenon Marbles Dispute
Why are we still arguing over the Parthenon Marbles? This book offers a fresh take on the history of those famous pieces of ancient sculpture removed from the Acropolis in Athens by Lord Elgin's men in the early 19th century. It explains how they became the cause célèbre of the larger debates around cultural heritage and restitution now taking place. The subject is one that is currently embroiling museums, governments, universities and the public at large. Herman provides a balanced, thorough and critical account of the history of the Marbles, while considering the legalities of their initial removal and the ethics of their retention by the British Museum. It incorporates the views of cura...
Alhambra at the Crossroads of History
A growing flow of visitors in the 19th century turned the Alhambra into a touristic destination and a major trope of Orientalism, created by Western authors and artists from Francois-Rene de Chateaubriand to Owen Jones and from Washington Irving to Jean-Leon Gerome. Yet behind this Western infatuation lie scores of 'Oriental' observers of the monument, as revealed by its visitors' book, kept since 1829. This book uses this untapped source to analyse the perceptions of the Alhambra by multiple actors, including Westerners, Spaniards, Maghrebines, Ottoman Turks, Christian Arabs and Muslim Arabs from the Mashreq. In doing so, it reveals the existence of significant variations in both Western and Oriental perceptions of the monument, from 'Oriental Orientalism' to Arab nationalism. Examining the contemporary press, memoirs, travelogues and photographs - as well as the visitors' book - it uses the Alhambra to build a history of the complex and entangled relations between East and West, North and South, Islam and Christianity, centre and periphery during the heyday of Orientalism and Western hegemony.
The Art of the Qurʼan
Published on the occasion of the exhibition The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts, Istanbul, held at the Arthur M. Sackler Gallery, Washington, D.C., October 15, 2016-February 20, 2017.
Travel, Space, Architecture
Travel, Space, Architecture defines a new theoretical territory in architectural and urban scholarship that frames the processes of spatial production through the notion of travel.The book presents seventeen key case studies that range from interrogations of architectural travel and notions of belonging and nationhood to challenging established geopolitical hierarchies.
The City's Pleasures
The City's Pleasures is the first historical investigation of the tremendous changes that affected the fabric and architecture of Istanbul in the century that followed the decisive return of the Ottoman court to the capital in 1703. These were spectacular times that witnessed the most extraordinary urban expansion and building explosion in the history of the city. Showing how architecture and urban form became involved in the representation and construction of a changing social order, Shirine Hamadeh reassesses the dominance of the paradigm of Westernization in interpretations of this period and challenges the suggestion that change in the eighteenth century could only occur by turning towar...
