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Masterpieces of Nigerian Art
The Federal Republic of Nigeria maintains a rich artistic legacy that is more than two thousand years old. As such, it provides some interesting counterpoints to Western art history. Nigeria's ancient Nok art, for example, predated the golden age of Greece, and the exquisite bronzes of lgbo Ukwu (9th-10th C), Ife (12th-15th C), and Benin (15th-19th C) compare favorably to European traditions. Furthermore, the art of Benin thrived under the patronage of a single, unbroken dynasty during a time when many European governments rose and fell.Yet, for many reasons, the Western world would not recognize this artistic heritage until modern times. In this volume, Ekpo Eyo explains the prirnitivist vi...
Africa’s Struggle for Its Art
"A major new history of how, between 1965 and 1985, African nations sought the restitution of works of art stolen during the colonial period, written by the most important and influential figure in the field"--Provided by publisher.
Credit, Currencies, and Culture
A striking feature of African history is the volume of commerce and production that has been possible without the full panoply of credit, insurances, future markets, stock companies, limited liability, and other legal and financial services that make up the formal sector of modern economies. The contributions to this volume investigate institutional nexuses through which money has been managed in Africa. Together they present important perspectives that are needed to understand the present economic crisis on the continent.
The Making of Museums in Nigeria
In November 1927, Kenneth Crosthwaite Murray (1902-1972) left his family home in West Sussex, England, to develop the art program in the British colony of Nigeria. As he traveled the country, Murray saw the cultural practices and craft production of Nigerian visual material under threat and decided to collect these pieces in order to preserve, understand, and, perhaps, console during a period of great change. Murray and a few of his colleagues, including Edward H. Duckworth, Bernard E.B. Fagg, and Ekpo Eyo and the antiquities department that they founded, built seven museums before independence, established export policies, began calling for the return of cultural heritage, and developed excavation protocol. This book captures the life and legacy of Murray, whose efforts helped foster an understanding of Nigerian art and culture, and explores the tension that arose among the colonial government, officers, and Nigerians who sought to build these cultural institutions during the twilight years of the British Empire and the transition to a newly independent Nigeria.
Culture, Politics, and Money Among the Yoruba
This masterful book investigates and analyzes several aspects of money among the Yoruba of Nigeria. Falola and Adebayo explore the origin, philosophy, uses, politics, and problems of acquiring and spending money in Yoruba culture. No prior book exists on this aspect of a major ethnic group in Africa with established connections with the black Diaspora in North America and the Caribbean. Conceived so that each chapter may be read individually, the volume is divided into three parts. Part 1, "Money and Its Uses," focuses on the transition from barter to cowry currency, the idealistic and pragmatic views of money, the impact of monetization on social stratification, accumulation among members o...
Loot
A Prospect Best Book of 2021 ‘A fascinating and timely book.’ William Boyd ‘Gripping…a must read.’ FT ‘Compelling…humane, reasonable, and ultimately optimistic.’ Evening Standard ‘[A] valuable guide to a complex narrative.’ The Times In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa’s greatest works of art. The ‘Benin Bronzes’ are now amongst the most admired and valuable artworks in the world. But seeing them in the British Museum today is, in the words of one Benin City artist, like ‘visiting relatives behind bars’. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?
Treasures of Ancient Nigeria
The magnificent art that is the heritage of Nigeria was, for the first time, presented to the world beyond Nigeria at the "Treasures of Ancient Nigeria - Legacy of Two Thousand Years" exhibit at The Fine Arts Museums of San Francisco and the California Palace of the Legion of Honor from April 27 - June 29, 1980. This book is a record of that exhibit and what it represented. One hundred extraordinary works of art in bronze, terracotta, and ivory - works spanning more than two thousand years, from the fifth century B.C., and representing seven cultures (Nok, Igbo-Ukwu, Ife, Owo, Benin, Tsoede, and Esie) - were selected for exhibition in the United States and are shown here in 137 photographs and plates, 53 in full color. The introduction is by Dr. Ekpo Eyo, Director of Nigeria's Department of Antiquities and head of Nigeria's National Museums, and the interpretive text is by Frank Willett, who taught art and archaeology at Oxford and Northwestern Universities and was formerly an archaeologist for Nigeria's Department of Antiquities and Curator of the Museum of Ife Antiquities.
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