Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Routledge Handbook of Jack the Ripper Studies
In offering a holistic analysis of the vast array of evidence and literature pertaining to the Whitechapel Murders committed in London’s East End in the Autumn of 1888, this volume offers a multi-disciplinary and multi-dimensional consideration of the entirety of the most infamous of crimes and their legacy for the first time. Interest in the crimes of Jack the Ripper has barely dissipated over the numerous decades since their perpetration but has grown significantly in recent years. The Routledge Handbook of Jack the Ripper Studies provides a solid reference point for understanding and evaluating the significance of the murders across a range of different perspectives, both past and prese...
The Palgrave Handbook of Parenthood in Popular Culture
This Handbook showcases representations of parenthood in twenty-first-century popular culture, critically assessing how these representations shape, respond to, and redefine notions of families, as well as popular culture genres. Uniquely, the collection brings together motherhood, fatherhood, and parenthood studies. Chapters use intersectional approaches to illuminate LGBTQ+, racialized, Indigenous, and AI-generated as well as normative or ‘mainstream’ parental subjectivities and also address the topic of non-parenthood. The volume analyzes games, comics, social media, literature, film, television, and more. It is global in scope, signaled by the diverse cultural and geopolitical locations of the contributors and the texts they examine. Chapters are produced out of and/or are set within Canada, the United States, Britain, Ireland, Italy, Sweden, Finland, India, Iran, China, Japan, South Korea, Jamaica, South Africa, and Australia.
Serial Crime Fiction
Serial Crime Fiction is the first book to focus explicitly on the complexities of crime fiction seriality. Covering definitions and development of the serial form, implications of the setting, and marketing of the series, it studies authors such as Doyle, Sayers, Paretsky, Ellroy, Marklund, Camilleri, Borges, across print, film and television.
Unwilling Executioner
Unwilling Executioner is the first book to examine the deep-rooted relationship between the development of crime fiction as a genre and the consolidation of the modern state. It offers a far-reaching and wide-ranging perspective on this unfolding relationship over a three hundred year period but is not a straightforward and conventional narrative history of the genre. It is part of a new and exciting critical move to read crime fiction as a transnationalphenomenon and to examine crime novelists in an innovative comparative context, taking them out of their discreet national traditions. Considers Anglo-American crime-writing, as well as works published inFrance, Italy, Germany, Ireland, Japan, South Africa and elsewhere, it addresses the related questions of why crime fiction is political and how particular examples of the genre engage with the complicated issue of political commitment.
Peripheral Locations in European TV Crime Series
This book is a comprehensive study of peripheral locations in contemporary European TV crime series. Ambitiously, it covers the complete geography of Europe, and offers a nuanced image of a changing, dynamic, and unfinished continent. The chapters include analyses of the practical, creative approach to producing crime series in European peripheries and rural areas, evaluating a continent marked by an internal crisis between urban and rural Europe. The study includes readings of crime series such as Shetland, Bitter Daisies, Trom, Pagan Peak, and The Border, but presents such representative cases within broader tendencies on the European TV market, including challenges from streaming services...
Quentin Tarantino and Film Theory
This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema. This question is explored through a discussion of the films written and directed by Quentin Tarantino, largely regarded as the epitome of postmodern cinema and considered here as theoretical contributions in their own right. Each chapter first presents key ideas proposed by a specific theorist and then puts them in conversation with Tarantino’s films. Jacques Rancière’s theory of art is used to reject postmodernism’s claims about the ‘death’ of the aesthetic image in contemporary cinema. Fredric Jameson’s and Slavoj Žižek’s dialectical thinking is mobilized to challenge simplistic, ideological readings of postmodern cinema in general, and Tarantino’s films in particular. Finally, the direct influence of Carol Clover’s psychoanalytical approach to the horror genre on Tarantino’s work is discussed to prove the director’s specific contribution to a theoretical understanding of contemporary film aesthetics.
Contemporary European Crime Fiction
This book represents the first extended consideration of contemporary crime fiction as a European phenomenon. Understanding crime fiction in its broadest sense, as a transmedia practice, and offering unique insights into this practice in specific European countries and as a genuinely transcontinental endeavour, this book argues that the distinctiveness of the form can be found in its related historical and political inquiries. It asks how the genre’s excavation of Europe’s history of violence and protest in the twentieth century is informed by contemporary political questions. It also considers how the genre’s progressive reimagining of new identities forged at the crossroads of ethnicity, gender, and sexuality is offset by its bleaker assessment of the corrosive effects of entrenched social inequalities, political corruption, and state violence. The result is a rich, vibrant collection that shows how crime fiction can help us better understand the complex relationship between Europe’s past, present, and future. Seven chapters are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Cinema and comics
None
Cineforum
None
