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This book is the first English-language collection of scholarly essays to investigate the ambiguous and supporting role that colonialism in the Aegean Region played in Mussolini’s imperial ambitions, bringing to light a history rarely scrutinized until recently. The Dodecanese archipelago is often absent from histories of Italian fascist colonialism, as Italian territories in East Africa, Libya, and the Balkans have figured more centrally in discussions of how nationalism and later fascism relied on the empire to promote discourses of national renewal and regeneration. Over the past twenty years, a new wave of research has emerged, animated by the opening of previously closed state archive...
Traces the shifting dynamics within leftist activism in 1970s and ’80s Europe and its experiments in art, life, and politics. The Ruin Dwellers takes readers into the urban spaces of youth revolts during the 1970s and ’80s in West Germany and elsewhere in western and central Europe. Whereas earlier generations of leftist activists were primarily oriented toward the utopian future, participants in the youth movements of the 1970s and ’80s developed a more complex set of temporal practices that sought to scramble the borders between the past, present, and future. Examining a rich corpus of radical texts and practices, historian Jake P. Smith shows that squatters and their leftist allies in this period engaged in social, cultural, and aesthetic experiments with modes of autonomous living. Smith brings to life the real and imagined landscapes conjured in squatted houses and street protests; in art, dress, music, graffiti, and film; and in philosophical, poetic, and political texts. In so doing, he offers an eye-opening look at anarchic world-making practices that found new ways of imagining an emancipated future through inhabiting the fractured past.
Flying and the pilot were significant metaphors of fascism's mythical modernity. Fernando Esposito traces the changing meanings of these highly charged symbols from the air show in Brescia, to the sky above the trenches of the First World War to the violent ideological clashes of the interwar period.
This book introduces a compelling new personality to the modernist canon, Marisa Mori (1900-1985), who became the only female contributor to The Futurist Cookbook (1932) with her recipe for “Italian Breasts in the Sun.” Providing something more complex than a traditional biographical account, Griffiths presents a feminist critique of Mori's art, converging on issues of gender, culture, and history to offer new critical perspectives on Italian modernism. If subsequently written out of modernist memory, Mori was once at the center of the Futurism movement in Italy; yet she worked outside the major European capitals and fluctuated between traditional figurative subjects and abstract experim...
This book is the first English-language study of motorsport and Italian Fascism, arguing that a synergy existed between motor racing and Fascism that did not exist with other sports. Motorsport was able to bring together the two dominant, and often opposed, cultural roots of Fascism, the Futurism of F. T. Marinetti, and the Decadence associated with Gabriele D’Annunzio. The book traces this cultural convergence through a topical study of motorsport in the 1920s and 1930s placing it in the context of the history of sport under Mussolini’s regime. Chapters discuss the centrality of speed and death in Fascist culture, the attempt to transform Rome into a motorsport capital, the architectural and ideological function of the Monza and Tripoli and autodromes, and two chapters on the importance of the Mille Miglia, a genuine Fascist artefact that became one of the most legendary motor races of all time.
Hidden in Historicism considers how the nineteenth-century philosophy of historicism depicts three "forgotten time regimes": a time of rise and fall, an ambiguous time of synchronicity of the non-synchronous, and a time in which decisive moments dominate. Before the eighteenth century, time was past-oriented. This inversed in the Enlightenment, when the future became dominating. Today, this time of progress continues to be embraced as a "time of the modern". Yet, inequality, increasing violence and climate change lead to doubts over a bright future. In this book, Harry Jansen moves away from the heritage of Reinhart Koselleck and his single time of the modern towards a historicist, threefold...
This volume addresses the major questions surrounding a concept that has become ubiquitous in the media and in civil society as well as in political and economic discourses in recent years, and which is demanded with increasing frequency: transparency. How can society deal with increasing and often diverging demands and expectations of transparency? What role can different political and civil society actors play in processes of producing, or preventing, transparency? Where are the limits of transparency and how are these boundaries negotiated? What is the relationship of transparency to processes of social change, as well as systems of social surveillance and control? Engaging with transparency as an interrelated product of law, politics, economics and culture, this interdisciplinary volume explores the ambiguities and contradictions, as well as the social and political dilemmas, that the age of transparency has unleashed. As such it will appeal to researchers across the social sciences and humanities with interests in politics, history, sociology, civil society, citizenship, public policy, criminology and law.
Time on a Human Scale offers an ambitious new assessment of how modern Europeans understood time and human experience through studies of politics, art, literature, music, and culture of Western Europe between the 1860s and 1930s.
Biografie van de Italiaanse operazanger.