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The New Curator: Exhibiting Architecture and Design examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation. In this ground-breaking new book, Fleur Watson unveils the emergence of the 'new curator'. Instead of exhibiting finished works or artefacts, the rise of 'performative curation' provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of 'custodian' or 'expert' but with the intent to create a shared space of encounter with audiences. To illustrate...
The Routledge Handbook of Grassroots Climate Activism introduces contemporary forms of grassroots climate activism from around the world through the lenses of a variety of academic disciplines, methodologies, and perspectives. Focusing on bottom-up case studies, it showcases innovative and creative approaches, as well as the knowledge of those working towards swift decarbonisation, just transitions, and climate justice. Grassroots climate activism presents a rich body of material to be studied not only by anthropologists, sociologists, geographers, and political scientists but also by scholars in the humanities and the creative arts. This timely handbook explores climate activism across six ...
Beauty in architecture matters again. This issue of AD posits that after 80 years of aggressive suppression of engagement with aesthetics, the temporarily dormant preoccupation with beauty is back. This is evidenced by a current cultural shift from the supposedly objective to an emerging trust in the subjective – a renewed fascination for aesthetics supported by new knowledge emanating simultaneously from disparate disciplines. Digital design continues to influence architectural discourse, not only due to changes in manufacturing but also through establishing meaning. The very term 'post-digital' was introduced by computational designers and artists, who accept that digital gains in archit...
Illustrated with contemporary case studies, Curating Design provides a history of and introduction to design curatorial practice both within and outside the museum. Donna Loveday begins by tracing the history of the collecting and display of designed objects in museums and exhibitions from the 19th century 'cabinet of curiosities' to the present day design museum. She then explores the changing role of the curator since the 1980s, with curators becoming much more than just 'keepers' of a collection, with a remit to create narrative and experiential exhibitions as well as develop the museum's role as a space of learning for its visitors. Curating as a practice now describes the production of ...
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Around the world, a new architectural form is emerging. In public places a progressive architecture is being commissioned to promote open-ended, undetermined, lightly programmed or un-programmed interactions between people. This new phenomenon of architectural form – Pavilions, Pop-Ups and Parasols – is presaged by rapidly changing social relationships flowing from social media such as Facebook, Twitter and Instagram. The nexus between real and virtual meeting is effectively being reinvented by innovative and creative architectural practices. People meet in new and responsive ways, architects meet their clients in new forums, knowledge is ‘met’ and achieved in new and interactive fra...
Exuberance not only celebrates new Baroque theatricality, formal sophistication and digital virtuosity; it also debates a plethora of joyful and intelligent ways in which experimental architecture manages to cope with the contemporary turmoil in global politics, economics and ecology. The title includes the work of seminal figures such as Ron Arad, Peter Cook and Wolf D Prix of Coop Himmelb(l)au. It features Hernan Diaz Alonso, Evan Douglis, CJ Lim, Ali Rahim, Neil Spiller, Kjetil Thorsen of Snohetta, and Tom Wiscombe.
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Melbourne is now coming to the fore as a design hotspot. With three and a half million inhabitants, it is on a scale that is livable and diverse. Its rich and varied cultural intimacy has enabled it to build up a unique dynamism, which is set to shift the entire design agenda of the world - much like Barcelona did in the 1980s and Antwerp did in the 1990s. Melbourne is to be the city of the noughties. The intense plurality of Melbourne's recent design culture is due to have a vast impact on the way in which we think about city regions and living in them. This is a story of wonderful spaces: in civic and institutional buildings; in galleries, bars, clubs and restaurants; in one of the world's...