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Gary Kibbins
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Policy Matters
"In this book Clive Robertson examines the subject of arts administration through the three major topics of 'artist-run culture as movement and apparatus', 'custody battles with/at the Canada Council' and Carings for art and culture'. Includes interviews with Paule Leduc, Roch Carrier, Edythe Goodriche, and Bruce Russell." -- From Art Metropole website (viewed 23 May 2018).
The Perils of Pedagogy
The first book to examine the works of controversial film and video-maker, queer activist, and agent provocateur, John Greyson.
Mapping the Rockumentary
Mapping the Rockumentary: Images of Sound and Fury is the first anthology to explore the rockumentary as a central component of both the documentary and world cinema. The book includes case studies of bands and performers such as The Beatles, The Rolling Stones, Bob Dylan, The Clash, Madonna and Metallica and performers from Asia, Europe and the Americas, making the case for rockumentaries as part of an established and ever-evolving cinematic tradition. With an international and transdisciplinary approach, and addressing rocumentaries in film, television and on the internet, the book explores the form's rich history from the 1950s to the present day - and beyond.
The Skin of the Film
Uses Deleuze to explore new ways of looking at intercultural and experimental cinema.
Grammar & Not-grammar
There are two kinds of grammarians, those who describe and those who prescribe. In the academic world, the prescribers are usually viewed as the conservative old guard. The descriptarians are usually seen as the activists, young bucks who believe the task of grammarians is to map or chart how speakers use their language and note its changes over time.
Ruling Out Art
In the 1980s, the Ontario Board of Censors began to subject media artists’ work to the same cuts, bans, and warning labels as commercial film. Ruling Out Art reveals what happens when art and law intersect, when artists, arts exhibitors, and their anti-censorship allies enter courts of law as appellants, defendants, or expert witnesses. The administration of culture during Ontario’s censor wars was not a simple top-down exercise. Members of arts communities mounted grassroots protests and engaged the province in court cases that ultimately influenced how the province interpreted freedom of expression, a fundamental and far-reaching legal right. The language of the law in turn shaped the way artists conceived of their own practices. By exploring how art practices and provincial legislation intertwined during Ontario’s censor wars, this innovative book documents an important moment in the history of contemporary art and cultural activism in Canada, one that helped artists secure their constitutional rights under the law.
Fuse
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