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George Johnston
The life of George Johnston, author of the best-selling My Brother Jack, was in many ways symbolic of Australian post-war cultural life. He was a complex character, dogged by feelings of mediocrity, betrayal and failure that he ultimately transformed though the writing of his brilliant trilogy My Brother Jack, Clean Straw for Nothing and A Cartload of Clay. In this award-winning biography, Garry Kinnane examines the process by which Johnston selected people, places and events for this creative transformation. In doing so, he reveals the reality that lay behind the glamorous outer facade of the life of Johnston and his wife, the writer Charmian Clift.
The Essential George Johnston
Subtle, varied and elegant, exact in their tuning, traditionally informed yet wholly original, the poems of George Johnston have yet to find the wide readership they deserve. That they flew beneath the radar in Canada during his lifetime can be attributed in part to the vagaries of literary fashion: Johnston's early verse, in The Cruising Auk (1959) and Home Free (1966), was formal and traditional, using stanza, metre and rhyme with great sophistication, at a moment when free verse had become de rigueur; thus he was dismissed by the reputation-makers of the day as old-fashioned. His later verse, markedly more contemporary in tone though no less formally accomplished, escaped notice for a dif...
Horsemen of the First Frontier (1788-1900) and the Serpent's Legacy
An economic and social history of early New South Wales, told through the life stories of pioneer 19th century horsemen. Traces the origin and development of the horse in Australia and a special tribute to Australia's internationally acclaimed thoroughbred expert C. Bruce Lowe.
George Johnston
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What Jane Knew
The children of an influential Ojibwe-Anglo family, Jane Johnston and her brother George were already accomplished writers when the Indian agent Henry Rowe Schoolcraft arrived in Sault Ste. Marie in 1822. Charged by Michigan's territorial governor with collecting information on Anishinaabe people, he soon married Jane, "discovered" the family's writings, and began soliciting them for traditional Anishinaabe stories. But what began as literary play became the setting for political struggle. Jane and her family wrote with attention to the beauty of Anishinaabe narratives and to their expression of an Anishinaabe world that continued to coexist with the American republic. But Schoolcraft appropriated the stories and published them as his own writing, seeking to control their meaning and to destroy their impact in service to the "civilizing" interests of the United States. In this dramatic story, Maureen Konkle helps recover the literary achievements of Jane Johnston Schoolcraft and her kin, revealing as never before how their lives and work shed light on nineteenth-century struggles over the future of Indigenous people in the United States.
