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Smart and Sustainable Planning for Cities and Regions
This book presents cutting-edge work on innovative planning methodologies, tools and experiences aimed at supporting the transition of our cities and regions towards a more smart and sustainable dimension. This book comprises a selection of the best papers presented at the international conference “Smart and Sustainable Planning for Cities and Regions 2015”, held in November 2015 in Bolzano, Italy. Contributions from different research fields within urban and regional planning from the scientific as well as the professional community are presented: energy planning for cities and regions, how to couple the energy-climate goals with the development or renovation of the built environment an...
The Future Is in Your Hands
In Senegal, portraiture serves as a vital index and creator of social connection. People sit for and display portraits, keep albums, and view illustrated magazines together. Through these portraiture practices, Senegalese have fashioned idealized images to mend fraught and fragmented lives in the context of decades of migration. The Future Is in Your Hands provides an expansive frame for photography to highlight the role of affect in portraiture practices. Moving from the colonial to the newly independent Senegal, Beth Buggenhagen combines museum, ethnographic, and archival research on photography's past with lens-based artists who address themes of separation, visibility, rupture, and repat...
Poetry in Late Byzantium
The late Byzantine period (thirteenth to fifteenth centuries) was marked by both cultural fecundity and political fragmentation, resulting in an astonishingly multifaceted literary output. This book addresses the poetry of the empire’s final quarter-millennium from a broad perspective, bringing together studies on texts originating in places from Crete to Constantinople and from court to school, treating topics from humanist antiquarianism to pious self-help, and written in styles from the vernacular to Homeric language. It thus offers a reference work to a much-neglected but rich textual material that is as varied as it was potent in the sociocultural contexts of its times. Contributors are Theodora Antonopoulou, Marina Bazzani, Julián Bértola, Martin Hinterberger, Krystina Kubina, Marc D. Lauxtermann, Florin Leonte, Ugo Mondini, Brendan Osswald, Giulia M. Paoletti, Cosimo Paravano, Daniil Pleshak, Alberto Ravani, and Federica Scognamiglio.
Critical Landscapes
From Francis AlØs and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. Their work pivots around a set of evolving questions: In what ways is land, formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? Editors Emily Eliza Scott and Kirsten Swenson bring together a range of international voices and artworks ...
Architecture & Sustainable Development (vol.2)
This book of Proceedings presents the latest thinking and research in the rapidly evolving world of architecture and sustainable development through 255 selected papers by authors coming from over 60 countries.
Prolepsis
This volume collects contributions on the theme of prolepsis in Antiquity, Middle Ages, and Renaissance. As the interest in this topic grows, our goal is to provide a first attempt at adopting an all-encompassing approach, which thematizes prolepsis as a pivotal hermeneutic tool to “read” into different times and contexts. While the first section maintains a more traditional literary approach to the topic, the second section hosts a reflection on the relationship between prolepsis and kingship within historiographical accounts. The chapters of the third section revolve around a religious interpretation of prolepsis, creating an overview of theological practices and narrations connected to foreshadowing through time. Section four hosts chapters that differ significantly in their individual fields but share the common understanding of a practical application of prolepsis in the ancient Greek world, with a specific technical focus. The three essays of the fifth and final section explore entirely different conceptualizations, delving into alternative notions of prolepsis, combining approaches and maintaining a more methodological focus.
Rome and its Botanic Gardens
Towards the end of the 1800s, the palace of the Corsini family and its garden were acquired by the Italian State. The complex had undergone a radical transformation in the mid-eighteenth century, when Cardinal Neri Maria Corsini had entrusted the renovation of this property to the architect Ferdinando Fuga. In this occasion the palace was transformed from Renaissance to eighteenth-century, and the surrounding area was enriched by a magnificent set of low buildings, fountains and ornamental architecture that became the backdrop for laurel and Italian gardens. When the first director of the Botanic Garden, Pietro Romualdo Pirotta, took possession of this area (1883), it was already in its four...
The Expanded Subject
From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge t...
Portrait and Place
"Strategically located on the Atlantic Ocean at the westernmost point of the continent, Senegal is well-known as an epicenter of Africa's modernities, modernisms, and liberation movements. It was also one of the countries where the daguerreotype first arrived in sub-Saharan Africa before circulating inland and across the region. At that time, Senegal did not exist as a nation state; local kingdoms were still in power and the French presence was limited to trading posts along the coast. The pioneers of photography in the 1840s were not exclusively Europeans, but also African, African-American, and Asian entrepreneurs. In the decades that followed, amateurs and professionals working in rural a...
African Arts
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