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Grazia Deledda
This is a timely and extensive biography of a writer who, in the early twentieth century, achieved such status in the literary world that publishers in Italy vied for her novels, and editors felt honoured to publish her short stories and 'sketches'. Now, almost seventy years after her death, her novels continue to be reprinted and translated, and critical appreciation of her work continues to grow. Her works still live and have the power to move her readers.
Grazia Deledda's Eternal Adolescents
Throughout Deledda's novels, truncated maturity functions as a psychological undertow sucking down its sufferers and their loved ones to the depths of fictive drama."--BOOK JACKET.
A Self-made Woman
A biography of a Sardinian woman who determinedly rose above the restrictions of her environment to win the Nobel Prize for literature in 1926.
The Challenge of the Modern
Grazia Deledda has been variously categorised as Romantic, Realist, Symbolist or Decadent. This book aims to show the writer and her work in a fresh light, emphasising the extraordinary nature of her achievement given her unpromising beginnings. It offers insight into her work from the perspectives of modernism, feminism and post-colonialism.
After the Divorce
Winner of the 1926 Nobel Prize in Literature In this tragic novel set in the author's native Sardinia, Constantino Ledda has been convicted and sentenced for the murder of his cruel uncle. Though innocent of the crime, he accepts the verdict as punishment for marrying Giovanna Era through a civil ceremony rather than an expensive church wedding. When Constantino is taken away, Giovanna has no way to provide for herself or family, and out of desperation divorces her husband and marries a wealthy but brutish landowner. When the real killer confesses and Constantino is released, he and Giovanna begin a forbidden and ultimately destructive affair.
Nostalgia
Since the days of Latin, to how few authors has it been given to obtain an European reputation! We English seem exceptionally slow in making ourselves acquainted with the works of foreigners. Dante and Cervantes, Goethe and Dumas, are perhaps no worse known among us than they are in their homes; but we seldom find out a modern writer till he has been the round of all the other countries. We are opinionated in England. We think other folk barbarians, even if we don't call them so; we visit them for the making of comparisons, generally in our own favour; of trying their manners and customs, arts and morals, not by their standard but by ours. We never forget that on the map of Europe there is t...
Encyclopedia of Italian Literary Studies
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
Grazia Deledda's Painterly Aesthetic
Central to Grazia Deledda's narrative worlds are the relationships between her characters and the vast landscapes in which they move and act. The writer translates and represents her characters, her characters' emotions, and her natural and urban landscapes with a vocabulary that is often related to the visual arts. However, although her descriptions contain the gradations of Modernist painting, beginning with Impressionism, no book-length study, and with diverse perspectives, has thus far investigated Deledda's relationship with the visual arts and the resulting painterly aesthetic of her multicolored narratives. In this sense, Grazia Deledda's Painterly Aesthetic provides an articulated li...
Encyclopedia of Italian Literary Studies: A-J
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