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Guy Davenport (1927–2005), an American writer of fiction, poetry, criticism, and essays, a translator, painter, intellectual, and teacher, brought a breadth and depth of knowledge to his pursuits that few other writers could approach, let alone appraise. In Andre Furlani, this twentieth-century American master has finally found an apt critical reader. In this first sustained critical study of Davenport, Furlani elucidates the depths of Davenport's fiction and its poetic precedents, brings a rare understanding to the author's reworking of twentieth-century literature and intellectual history, and offers unusual insight into his compositional technique. Furlani explores key themes across the...
Stephen Schryer traces the careers of novelists, journalists, and literary critics who wrote for William F. Buckley, Jr.'s National Review and highlights these writers' enduring impact on movement conservatism.
"The stories are based on historical figures whose endeavors were too early, too late, or went against the grain of their time. They are all people who see the world differently from their contemporaries and therefore seem absurd."--Page 4 of cover.
Still, with his life as entwined as it was with New Directions, Laughlin speaks often and interestingly about some of the giants of the modern period -- most often Ezra Pound, in whose work Davenport had a deep interest. The most distinct aspect of their correspondence stems from the fact that, although Laughlin ended up publishing some of Davenport's work, their friendship was the primary force behind their letters. More than simply detailing an author/publisher relationship, these letters depict two fine minds educating and supporting each other in the service of literature"--Jacket.
This book is the first edited collection to explore the role of philosophy in the works of Cormac McCarthy, significantly expanding the scope of philosophical inquiry into McCarthy’s writings. There is a strong and growing interest amongst philosophers in the relevance of McCarthy’s writings to key debates in contemporary philosophy, for example, debates on trauma and violence, on the relationship between language and world, and the place of the subject within history, temporality, and borders. To this end, the contributors to this collection focus on how McCarthy’s writings speak to various philosophical themes, including violence, war, nature, history, materiality, and the environmen...
"The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all else a difference of imagination. The imagination is like the drunk man who has lost his watch, and must get drunk again to find it. It is as intimate as speech and custom, and to trace its ways we need to re–educate our eyes."—Guy Davenport Modernism spawned the greatest explosion of art, architecture, literature, painting, music, and dance of any era since the Renaissance. In its long unfolding...
Bryan Giemza challenges the myth of the solitary genius, both in scientific and humanistic endeavors, and demonstrates how Cormac McCarthy is the exceptional figure whose work allows and encourages us to interrogate the marriage of the sciences and humanities. Drawing from previously unsurfaced archival connections as well as a range of primary sources and interview subjects, including those close to McCarthy, Giemza places McCarthy's work within contemporary scientific discourse and literary criticism. Timely and innovative in both content and structure, the volume includes a biographical examination of the writer's love of science and the path that led him to the Santa Fe Institute and off...
Brief list of total number of men who were "in camp and fit for duty," certified by William R. Davie; sheet lists total numbers only, but no names, of officers and soldiers, listed as the "rank and file."