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The Malayan Emergency in Film, Literature and Art
Examining film, literature and art produced during and after the Malayan Emergency, the guerrilla war fought between the Malayan National Liberation Army and the military forces of the British Commonwealth, this collection demonstrates how art functions as a record of cultural memory that both reinforces and challenges official histories. Beyond that, it also brings new understandings of the Malayan Emergency itself, and Malaysia's subsequent development as a postcolonial nation. The first section of the book focuses on films and writings produced during the period of the Emergency to capture the socio-political circumstances of the time and understand its effect on the people. The second se...
Transnational Chinese Cinema
This collection of essays on transnational Chinese cinema explores the corporal, psychological, and affective aspects of experiencing bodies on screen; engages with the material and discursive elements of embodiment; and highlights the dynamics between the mind and body involved in bio-cultural practices of cinematic production, distribution, exhibition, and reception.
Contemporary Chinese Cinema and Visual Culture
Honourable Mention, Best Monograph Award, BAFTSS Publication Awards 2022 Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism. At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive...
Cruisy, Sleepy, Melancholy
A brilliant approach to the queerness of one of Taiwan’s greatest auteurs A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy offers a fascinating, systematic method for analyzing the queerness of Tsai’s films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the bina...
Queer Literature in the Sinosphere
Queer Literature in the Sinosphere is the most up-to-date English-language study of lesbian, gay, bisexual, transgender and queer (LGBTQ+) themed literature and culture in the Chinese-speaking world. From classical homoerotic texts to contemporary boys' love fan fiction, this book showcases the richness and diversity of queer Chinese literature across the full spectrum of genres, styles, topics and cultural politics. The book features authors and literary works from mainland China, Hong Kong, Taiwan, Singapore and the global Chinese diaspora. Featuring chapters by leading scholars from around the world, this book rewrites literature, history and culture from a queer lens in China and globally.
The English Factory in Siam, 1612-1685
A compilation of East India Company documents relating to the port of Ayutthaya and Siam during the 17th century.
Memorandum
Featuring new translations of previously untranslated Chinese short stories, Memorandum maps out seven decades of Sinophone Singaporean Literature. From bargirls to student activists, from trishaw men to tea merchants, this collection provides a glimpse into a world that has been previously invisible to Anglophone readers. Paired with critical essays, these stories showcase the richness and diversity of Singapore’s Chinese community, but also its inherent interconnectedness with other cultures within Singapore. “Memorandum is a pathbreaking anthology that refracts over half a century of Singapore’s history through its lens. The translated stories do much more than simply bridge Sinophone and Anglophone worlds: they actively cross geographical, cultural, linguistic and class boundaries, causing us to think more deeply about the nature of social power, and the transformative interventions literary texts can make.” -Philip Holden, scholar of Singapore &Southeast Asian literatures
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