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Mast of Rods and Strings
Jealous of the attention lavished upon the puppetry talents of his dear sister-and tormented by visions of her torture at the hands of the mysterious Uncle Pavan who recruited her for his arcane school-Elias is determined to learn the true nature of occult puppetry, no matter the hideous costs, in order to exact vengeance.
Folklore and the Fantastic in Nineteenth-Century British Fiction
Jason Marc Harris's ambitious book argues that the tensions between folk metaphysics and Enlightenment values produce the literary fantastic. Demonstrating that a negotiation with folklore was central to the canon of British literature, he explicates the complicated rhetoric associated with folkloric fiction. His analysis includes a wide range of writers, including James Barrie, William Carleton, Charles Dickens, George Eliot, Sheridan Le Fanu, Neil Gunn, George MacDonald, William Sharp, Robert Louis Stevenson, and James Hogg. These authors, Harris suggests, used folklore to articulate profound cultural ambivalence towards issues of class, domesticity, education, gender, imperialism, nationalism, race, politics, religion, and metaphysics. Harris's analysis of the function of folk metaphysics in nineteenth- and early twentieth-century narratives reveals the ideological agendas of the appropriation of folklore and the artistic potential of superstition in both folkloric and literary contexts of the supernatural.
A Phenomenology of the Alien
A Phenomenology of the Alien: Encounters with the Weird and Inscrutable Other considers both literal and figurative experiences of the alien from a psychological, psychoanalytic and philosophical perspective. Throughout the book, the authors wrestle with the unexplained, ineffable, unspeakable, sublime, uncanny, abject and Miéville’s abcanny. This collection provides phenomenologies of encounters with the inscrutably alien from lights in the sky, dark corners of Weird fictional landscapes, architecture, technology, or the clinical symptom. The chapters examine fictional and nonfictional encounters with what exceeds the capacity to “make sense,” taking a new approach to the topic of alterity and inviting the reader to examine how these encounters reflect our contemporary condition culturally, individually, clinically, theologically and philosophically. Bridging cultural, psychoanalytic, literary, clinical, media, and religious studies, the novel approaches in this volume will be of interest to students and scholars alike.
Romantik 2021
“Romantik. Journal for the Study of Romanticisms” is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 1780–1840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms – and not least the connections and disconnections between them – hence, the use of the plural in the subtitle. Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS).
Edinburgh Companion to Scottish Traditional Literatures
Introduces Scotland's contribution to forms of traditional culture and expression - folk narrative, ballad, legend, song, broadsides and chapbooks.
Decadent Ecology in British Literature and Art, 1860–1910
Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.
Savage Horrors
The American Gothic novel has been deeply shaped by issues of race and raciality from its origins in British Romanticism to the American Gothic novel in the twenty-first century. Savage Horrors delineates an intrinsic raciality that is discursively sedimented in the Gothic's uniquely binary structure. Corinna Lenhardt uncovers the destructive and lasting impact of the Gothic's anti-Black racism on the cultural discourses in the United States. At the same time, Savage Horrors traces the unflinching Black resistance back to the Gothic's intrinsic raciality. The African American Gothic, however, does not originate there but in the Black Atlantic – roughly a decade before the first Gothic novel was ever written on American soil.
Fin-de-Siecle Scottish Revival
This volume reveals a distinct but comparable concern with cultural defence and revivalism in fin-de-siècle Scotland, evident in the work of a number of writers and artists including Robert Louis Stevenson, Patrick Geddes, Charles Rennie Mackintosh, Mona Caird, John Duncan and various contributors to The Evergreen.
Imperial Characters
"In a searching but sympathetic series of textual analyses, Wallace argues that the canon of eighteenth-century English Literature was bron out of the interplay between literary nationalism and an imperial internationalism. Imperial Characters will add considerably to the globalization of the discipline that has been underway for some years now."---Suvir Kaul, University of Pennsvlvania --
Brontë Studies
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