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Fake news is a type of hoax or deliberate spread of misinformation, be it via the traditional news media or via social media, with the intent to mislead in order to gain financially or politically. It often employs eye-catching headlines or entirely fabricated news-stories in order to increase readership and, in the case of internet-based stories, online sharing. In the latter case, profit is made in a similar fashion to clickbait and relies on ad-revenue generated regardless of the veracity of the published stories. Easy access to ad-revenue, increased political polarization and the ubiquity of social media, primarily the Facebook newsfeed have been implicated in the spread of fake news. Anonymously hosted websites lacking known publishers have also been implicated, because they make it difficult to prosecute sources of fake news for libel or slander.
This book is an introduction to Islamic Philosophy, beginning with its Medieval inception, right through to its more contemporary incarnations. Using the language and conceptual apparatus of contemporary Anglo-American ‘Analytic’ philosophy, this book represents a novel and creative attempt to rejuvenate Islamic Philosophy for a modern audience. It adopts a ‘rational reconstructive’ approach to the history of philosophy by affording maximum hermeneutical priority to the strongest possible interpretation of a philosopher’s arguments while also paying attention to the historical context in which they worked. The central canonical figures of Medieval Islamic Philosophy – al-Kindi, a...
Sacred Disobedience: A Jungian Analysis of the Saga of Pan and the Devil traces the ancient Greek God Pan, who became distorted into the image of the Devil in early Christianity. When Pan was demonized, the powerful qualities he represented became repressed, as Pan’s visage twisted into the model of the Devil. This book follows a Jungian analysis of this development. In ancient Greek religion, Pan was worshipped as an honored deity, corresponding to an inner psycho-spiritual condition in which the primitive qualities he represented were fully integrated into consciousness, and these qualities were valued and affirmed as holy. But in the era of early Christianity Pan “dies,” and the Dev...
"In short, Life Is Simple is enthralling."--Michael Blastland, Prospect A biologist argues that simplicity is the guiding principle of the universe Centuries ago, the principle of Ockham’s razor changed our world by showing simpler answers to be preferable and more often true. In Life Is Simple, scientist Johnjoe McFadden traces centuries of discoveries, taking us from a geocentric cosmos to quantum mechanics and DNA, arguing that simplicity has revealed profound answers to the greatest mysteries. This is no coincidence. From the laws that keep a ball in motion to those that govern evolution, simplicity, he claims, has shaped the universe itself. And in McFadden’s view, life could only have emerged by embracing maximal simplicity, making the fundamental law of the universe a cosmic form of natural selection that favors survival of the simplest. Recasting both the history of science and our universe’s origins, McFadden transforms our understanding of ourselves and our world.
This book explores the popular writing of the New Humourists and their vital engagement with late Victorian conceptions of manliness. Accused by their critics of lowness and inconsequentiality, these works act as literary mediations of a lower middle-class urban masculinity, revolving around ideas of office work, urban modernity, and adventure narratives. This will be situated in the context of white-collar work at the end of the century, and competing ideas of the urban man and mass. The book argues that a quartet of New Humour writers, Jerome K. Jerome, Israel Zangwill, Barry Pain, and Robert Barr, formed a coherent creative group whose fiction acknowledges and subverts stereotypes about c...
Darwin's discovery of evolution is as celebrated as Galileo's laws of motion or Newton's discovery of gravity. But this was only half the story. Not content to prove that evolution had happened, Darwin sought to convey its full humbling implications. Thus he formulated the theory of natural selection. Contrary to popular belief, this theory ran exactly counter to scientific reason and was consequently rejected by the scientific community of the time. This wasn’t the only reason Darwin’s critics recoiled. His theory robbed the ruling orders of any easy recourse to consolatory tales of nature’s harmony and design. The fate of his ideas, for the time being at least, would be left to the h...
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Recent debates about the Anthropocene have prompted a re-negotiation of the relationship between human subjectivity and nonhuman matter within a wide range of disciplines. This collection builds on the assumption that our understanding of the nonhuman world is bound up with the experience of space: thinking about and with nonhuman spaces destabilizes human-scale assumptions. Literary form affords this kind of nonanthropocentric experience; one role of the critic in the Anthropocene is to foreground the function of space and description in challenging the conventional link between narrative and human (inter)subjectivity. Bringing together New Formalism, ecocriticism, and narrative theory, the included essays demonstrate that literature can transgress the strong and long-established boundary of the human frame that literary and narrative scholarship clings to. The focus is firmly on the contemporary but with strategic samplings in earlier cultural texts (the American transcendentalists, modernist fiction) that anticipate present-day anxieties about the nonhuman, while at the same time offering important conceptual tools for working through them.