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Marxism and the Interpretation of Dreams
This book tells the story of one of the largest and most multinational communist parties in interwar Europe: the Czechoslovak communist party. Rather than telling a story rooted in later divisions between East and West, Molly Pucci considers the party in a Central European context, shaped by the common experiences of postwar displacement, imperial collapse, economic and social upheaval, grassroots violence, and the uncertain power of revolution. Starting with the party's unique approach to socialism, derived from its Austro-Marxist heritage, she discusses its diverse Czech, Slovak, Jewish, Hungarian, Ruthenian, Polish, and German national groups and unique role in fostering radical emigre communities from across the region. Pucci offers a vibrant new history of how the party's artists, novelists, poets, photographers, lawyers, and journalists made sense of, and sought inspiration from, the socialist experiment in the East. Placing the party's history in a regional, transnational, and global perspective, she provides a multinational, multilingual perspective on early communist ideas, networks, and culture in Central Europe.
Periodization in the Art Historiographies of Central and Eastern Europe
This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization – such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity – contributed strongly to identity construction. Central to the book’s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ‘entangled’ with each other. ...
Visual Antisemitism in Central Europe
In eleven contributions, Visual Antisemitism in Central Europe, Imagery of Hatred deals with visual manifestations of antisemitism in Central Europe from the Middle Ages to the present day. The publication, which presents heretofore largely unknown materials, seeks responses from diverse perspectives to the question of the role of visuality in the development of antisemitic moods and political agendas that encouraged hatred towards Jews. The scope of visual anti-Judaism and antisemitism always was and still is very wide: from stereotypical depictions that can conceal an underlying message through humorous content, to clearly formulated assaults that aim to escalate animosity towards an imaginary collective enemy. The goal in both these cases is the exclusion of Jews from the majority society imagined as a monolithic whole, and the reification of a dividing line between "us" and "them". With its wide thematic and methodological range, this book offers a comprehensive image of the phenomenon of visual anti-Judaism and antisemitism and provides rich comparative material for the entire Central European region.
Austrian Identity and Modernity
Bringing together an interdisciplinary cast of scholars, this volume explores national and nationalist identification(s) in Austria, as they were represented through culture and design, in response to the political environment in the first half of the 20th century. Austrian Identity and Modernity addresses the processes of evolution, conflict, destruction, and critical reassembling of interrelated Austrian cultures. It discusses: - The transformation of liberal ideologies, scientific leadership, technology and social inclusion - How professional women shaped alternative collectives, art and design movements - Socialist cultural projects and national unity - The Catholic Church and politics -...
Rethinking Period Boundaries
Periodization is an ever-present feature of the grammar of history-writing. As with all grammatical rules, the order it imposes can structure but also stifle historical interpretations. Though few historians consider their period boundaries as anything more than useful guidelines, heuristic artifice all too easily congeals into immovable structure, blinkering the historical gaze. In this cross-disciplinary volume, an international group of historians and cultural scholars considers different ways in which accepted period boundaries in modern European history and cultural studies can be challenged and rethought. Alongside a theoretical introduction and epilogue, the volume contains seven case...
Vienna and the New Wohnkultur, 1918-1938
While the domestic sphere might seem tangential to the dire political situation and humanitarian crises of interwar Europe, it was nevertheless at the forefront of debates about cultural identity and economic policy in the Viennese press, culture, and arts. Vienna and the New Wohnkultur, 1918-1938 explores why and how the Viennese design landscape was set apart--aesthetically and theoretically--from other European explorations of modern design. Jackson-Beckett examines interior design exhibitions, press, and debates about modern living in interwar Vienna, an overlooked area of modern European architecture and design history, arguing for a reconsideration of the contours of European modernism...
Interwar Salzburg
A long-overdue reassessment of post-1918 Salzburg as a distinct Austrian cultural hub that experimented in moving beyond war and empire into a modern, self-consciously inclusive, and international center for European culture. For over 300 years, Salzburg had its own legacy as a city-state at an international crossroads, less stratified than Europe's colonial capitals and seeking a political identity based in civic participation with its own economy and politics. After World War I, Salzburg became a refuge. Its urban and bucolic spaces staged encounters that had been brutally cut apart by the war; its deep-seated traditions of citizenship, art, and education guided its path. In Interwar Salzburg, contributors from around the globe recover an evolving but now lost vanguard of European culture, fostering not only new identities in visual and performing arts, film, music, and literature, but also a festival culture aimed at cultivating an inclusive public (not an international elite) and a civic culture sharing public institutions, sports, tourism, and a diverse spectrum of cultural identities serving a new European ideal.
The Lausanne Moment
Addresses the shifting interpretations of the Treaty of Lausanne across national contexts, tracing how its provisions have been legally, socially, and politically reimagined. The 1923 Treaty of Lausanne remains one of the few interwar peace settlements that has endured into the twenty-first century. Yet, the memory of Lausanne has proved deeply contested. Celebrated by some as a triumph of state sovereignty and peacemaking, it has also come to symbolize forced displacement, the erasure of minority rights, and the codification of population transfers as instruments of international order. Just over one hundred years after the signing of the Treaty of Lausanne, The Lausanne Moment revisits thi...
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