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The Ancient Emotion of Disgust
The study of emotions and emotional displays has achieved a deserved prominence in recent classical scholarship. The emotions of the classical world can be plumbed to provide a valuable heuristic tool. Emotions can help us understand key issues of ancient ethics, ideological assumptions, and normative behaviors, but, more frequently than not, classical scholars have turned their attention to "social emotions" requiring practical decisions and ethical judgments in public and private gatherings. The emotion of disgust has been unwarrantedly neglected, even though it figures saliently in many literary genres, such as iambic poetry and comedy, historiography, and even tragedy and philosophy. Thi...
Emotion and Historiography in Polybius’ Histories
This volume explores emotion and its importance in Polybius’ conception of history, his writing of historiography, and the benefits of this understanding to readers of history. How and why did ancient historians include emotions in their texts? This book argues that in the Histories of Polybius – the Greek historian who recorded Rome’s rise to dominion in the ancient Mediterranean – emotions play an effective role in history, used by the historian to explain the causes of actions, connect events, and make sense of human behavior. Through analysis of the emotions in the narrative and theory of Polybius’ Histories using critical terminology and frameworks from modern philosophy, psyc...
Shakespeare's Ovid and the Spectre of the Medieval
A study of how the use of Ovid in Middle English texts affected Shakespeare's treatment of the poet. The debt owed by Shakespeare to Ovid is a major and important topic in scholarship. This book offers a fresh approach to the subject, in aiming to account for the Middle English literary lenses through which Shakespeare and his contemporaries often approached Greco-Roman mythology. Drawing its principal examples from The Two Gentlemen of Verona, The Taming of the Shrew, Romeo and Juliet, Lucrece, and Twelfth Night, it reinvestigates a selection of moments in Shakespeare's works that have been widely identified in previous criticism as "Ovidian", scrutinising their literary alchemy with an eye...
Emotions across Cultures
It is now recognized that emotions have a history. In this book, eleven scholars examine a variety of emotions in ancient China and classical Greece, in their historical and social context. A general introduction presents the major issues in the analysis of emotions across cultures and over time in a given tradition. Subsequent chapters consider how specific emotions evolve and change. For example, whereas for early Chinese thinkers, worry was a moral defect, it was later celebrated as a sign that one took responsibility for things. In ancient Greece, hope did not always focus on a positive outcome, and in this respect differed from what we call “hope.” Daring not to do, or “undaring,...
Sulpicia
The main challenge in writing the history of Roman women is their silence, for they either did not themselves write, or what writing they did was not kept and transmitted. There are, however, a few welcome exceptions, such as the work of the Roman elegiac poet Sulpicia. This volume aims to bring the voice of the to the foreground: by acknowledging her as the author of part of Corpus Tibullianum 3, by appreciating the artistry of her work in terms of both poetic technique and engagement with previous literature, and by highlighting the pointedly feminine features of her poetry, which serve as interpretive keys to better understand not only her position in the elegiac tradition, but, more in general, the role of women in Augustan Rome. The chapters address a variety of topics: Sulpicia's commentary on and use of activities and characteristics traditionally considered feminine; Sulpicia's sophisticated style, particularly her allusive engagement with other poets; the question of what works can be attributed to Sulpicia; and the reception of Sulpicia's work in musical adaptations and possible future directions in the study of Latin elegy more broadly.
Heroides
"What would Greek and Roman myth look like if women had written the stories?" asks Tara Welch in her illuminating Introduction to this volume. Stanley Lombardo and Melina McClure’s faithful translation of Ovid’s famous letters, purportedly written by heroines of classical antiquity to their absent lovers, offers an inkling of one intriguing possibility.
Ovid
The Latin poet Ovid was famously exiled by the Emperor Augustus to the shores of the Black Sea for his self-confessed crimes of 'a poem and a mistake'. Throughout his poetry, he discusses his exile and embraces the themes of marginality and alterity. This core motif is explored throughout this overview of Ovid's life, the society he lived in and his innovative, perennially popular body of work. Presenting basic biographical information and the historical context of the newly Augustan Rome, the book details the contextual instabilities inherent in living at the border between republic and empire. Examining Ovid's poetic representations of 'otherness' from self-portraits to the mythological ch...
The Art of Love
'The Art of Love' presents a collection of essays on Ovid's cycle of sophisticated and subversive didactic poems on love 'The Art of Love' and 'Cures for Love', offering a range of perspectives on the poetics, politics, and erotics of the poems.
No Regrets
This study examines how the emotions of remorse and regret were manifested in Greek and Roman public life. By discussing the standard lexical denotations of remorse, Fulkerson shows how it was not normally expressed by high-status individuals, but by their inferiors, and how it often served to show defect of character.
Syllecta Classica
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