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The Idea of the Avant Garde
The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde – And What It Means Today provided a lively forum on the kinds of radical art theory and partisan practices that are possible in today’s world of global art markets and creative industry entrepreneurialism. This second volume presents the work of another 50 artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis. The manifest strategies, temporalities, and genealogies of avant-garde art and politics are expressed through an international, intergenerational, and interdisciplinary convocation of ideas that covers the fields of film, video, architecture, visual art, art activism, literature, poetry, theatre, performance, intermedia and music.
Ornament and Class
This groundbreaking study examines the intricate relationship between the rise of the nineteenth-century bourgeoisie and the emergence of modern architecture, exploring this connection through major intellectual and theoretical works while also analyzing their tangible manifestations in buildings and architectural projects. Contrary to received narratives that describe the birth of modern architecture as primarily an aesthetic movement, Ornament and Class argues that the social and political maturation of the European bourgeoisie as a distinct-yet-heterogeneous group influenced modern attitudes toward architecture at every level. Bringing architecture into conversation with recent histories ...
Radical Art and the Formation of the Avant-Garde
An authoritative re-definition of the social, cultural and visual history of the emergence of the "avant-garde" in Paris and London Over the past fifty years, the term "avant-garde" has come to shape discussions of European culture and modernity, ubiquitously taken for granted but rarely defined. This ground-breaking book develops an original and searching methodology that fundamentally reconfigures the social, cultural, and visual context of the emergence of the artistic avant-garde in Paris and London before 1915, bringing the material history of its formation into clearer and more detailed focus than ever before. Drawing on a wealth of disciplinary evidence, from socio-economics to histor...
Institution Architecture: Building the Avant-Garde
Institution Architecture: Building the Avant-garde takes a terminological, sociological and semiological approach that develops by tracing the 'avant-garde' in a century span of literatures for a textual analysis, unpacking the text, and in a process analysis, interpreting it. The sources consist of 825 well-known, globally influential European, including Russian, architectural literatures of the extended 1920s, and of Anglo-Saxon literatures of the extended 1960s to the 2010s. The book traces the denotations that the term 'avant-garde' acquires in them and shows the different notions under the 'avant-garde' signifier, directing attention to the term's early twentieth-century roots and modes...
HOLODECK architects works
Analytical thinking and holistic concepts Low-tech buildings with strong architectural identities Selected works from 25 years of international architectural practice HOLODECK architects work on a wide variety of projects, from urban development to exhibitions. Their impressive body of work is proof that sophisticated architecture need not ignore ecological and social issues. The latter are consciously reflected from concept to realization. For example, HOLODECK have developed strategic solutions as alternatives to single-family homes, apply a sensitive approach to existing structures, and design buildings that make consistent use of natural conditions such as passive solar energy, airflow, cross-ventilation, and natural lighting. This volume also reinterprets the typical architecture book. It consists of two separate yet connected parts; the first presents sketches, plans, studies and models, while the second features texts and lavish photo series.
Alvar Aalto in the Finnish Context
This book, first published in Finnish in 1985 under the title Aalto, is a critical introduction to Finnish architect Alvar Aalto (1898–1976), written by one of Aalto’s Finnish architectural contemporaries, Kirmo Mikkola (1934–1986). The book is divided into six sections dealing with different aspects of Aalto’s architecture, from his classical beginnings to urban planning, as well as his various professional and intellectual associates. Mikkola debunks the common opinion of a reticent Aalto to determine the roots of his thinking, seeing him as a mediator of influences from a wide variety of sources. The book was originally targeted at a Finnish audience, and so its translation requir...
Walter Gropius in Britain
As the first monograph dedicated to Walter Gropius’s activity in Britain, this book provides a comprehensive account of the Bauhaus founder’s contributions to architecture and design while living in London between 1934 and 1937. Drawing on earlier and later decades, this reveals the close contact between British, German and American design circles, with Gropius bridging parallel developments. In its approach, this book concentrates on the individuals working to aid Gropius in Britain and spurring the architect’s enduring dominance in English‐language histories. This includes his architectural partner Maxwell Fry, his translator P. Morton Shand, his employer Jack Pritchard and many ot...
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