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Floater
Insiders. Clever Alec. Arrogant Roman. Beautiful Lindy. The popular kids at school. They don’t know who they hurt. And they don’t care. Outsider. Frazier. Brainy, awkward, unloved. But he’s got something the other kids don’t. Astral projection. The ability to cast his mind long distances out of his body. Yet it fails to save him the night he falls victim to a prank that goes horrifyingly too far. Though Frazier’s body dies, his mind does not. It floats, buoyed for years by one thought. Revenge. Now, twenty years later, Alec, Roman, and Lindy are summoned, as if by a supernatural force, to a high-school reunion they’ll never forget. If any of them live through it.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture (2 Vol. Set)
The twenty-four studies in this volume propose a new approach to framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women, moving beyond today's standard division of artist from patron.
Reassessing the Roles of Women as 'Makers' of Medieval Art and Architecture
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, fro...
Robert Forster's Danger in the Past
Here is an in-depth exploration of Robert Forster's debut solo album, Danger in the Past (1990). Dublin, Ireland. That World Cup summer of 1990. A 21-year-old poet listens entranced when his friend puts on an LP, The Go-Betweens: 1978–1990. As the city outside goes football crazy, the poet discovers his new favorite band and learns that he'll never see them live: they have recently split up. Meanwhile in Berlin, Robert Forster has just celebrated his 33rd birthday in the midst of recording his solo album Danger in the Past at Hansa Studios with members of the Bad Seeds. An instant classic, the record restates Forster's credentials as a great singer-songwriter. For all that he remains a cult figure, the artist knows how good he is and hopes that the record-buying public will one day know it too. This book introduces an enduring album to new listeners while offering the ultimate companion to fans who regard Danger in the Past as a true rock'n'roll friend.
Archbishops Ralph d'Escures, William of Corbeil and Theobald of Bec
The first two archbishops of Canterbury after the Norman Conquest, Lanfranc and Anselm, were towering figures in the medieval church and the sixth archbishop, the martyred Thomas Becket, is perhaps the most famous figure ever to hold the office. In between these giants of the ecclesiastical world came three less noteworthy men: Ralph d'Escures, William of Corbeil, and Theobald of Bec. Jean Truax's volume in the Ashgate Archbishops of Canterbury Series uniquely examines the pontificates of these three minor archbishops. Presenting their biographies, careers, thought and works as a unified period, Truax highlights crucial developments in the English church during the period of the pontificates of these three archbishops, from the death of Anselm to Becket. The resurgent power of the papacy, a changed relationship between church and state and the expansion of archiepiscopal scope and power ensured that in 1162 Becket faced a very different world from the one that Anselm had left in 1109. Selected correspondence, newly translated chronicle accounts and the text and a discussion of the Canterbury forgeries complete the volume.
Gender, Taste, and Material Culture in Britain and North America, 1700-1830
Between 1700 and 1830, men and women in the English-speaking territories framing the Atlantic gained unprecedented access to material things. The British Atlantic was an empire of goods, held together not just by political authority and a common language, but by a shared material culture nourished by constant flows of commodities. Diets expanded to include exotic luxuries such as tea and sugar, the fruits of mercantile and colonial expansion. Homes were furnished with novel goods, like clocks and earthenware teapots, the products of British industrial ingenuity. This groundbreaking book compares these developments in Britain and North America, bringing together a multi-disciplinary group of scholars to consider basic questions about women, men, and objects in these regions. In asking who did the shopping, how things were used, and why they became the subject of political dispute, the essays show the profound significance of everyday objects in the eighteenth-century Atlantic world.
Architecture and Society in Normandy 1120-1270
This wide-ranging book explores the architecture—principally ecclesiastical—of Normandy from 1120 to 1270, a period of profound social, cultural, and political change. In 1204, control of the duchy of Normandy passed from the hands of the Anglo-Norman/Angevin descendants of William the Conqueror to the Capetian kingdom of France. The book examines the enormous cultural impact of this political change and places the architecture of the time in the context of the Normans’ complicated sense of their own identity. It is the first book to consider the inception and development of gothic architecture in Normandy and the first to establish a reliable chronology of buildings. Lindy Grant extends her investigation beyond the buildings themselves and also offers an account of those who commissioned, built, and used them. The humanized story she tells provides sharp insights not only into Normandy’s medieval architecture, but also into the fascinating society from which it emerged.
