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This book systematically reviews the theoretical origins, methodological applications, and empirical studies of agricultural technological progress and productivity research since 1949. What is agricultural technological progress and productivity, and how is it measured? How has the contribution of agricultural technological progress in China changed since the founding of New China? What are the causes of agricultural technological progress in China? What are the problems of existing research? Where are the breakthrough points for future research? This book attempts to provide answers to these questions. On this basis, this book distils the problems of existing agricultural productivity rese...
This volume is the first serious attempt to reconstruct Ding Ling's biography during the last few decades of her life. Most Westerners know her as a progressive woman writer who became famous during the May 4 Movement, championed its values in Yan'an and was criticized in the rectification campaigns that followed. Few know about her life afterward and the arduous process of rehabilitation. Here for the first time readers will learn about her life in the Great Northern Wasteland, solitary confinement in Qincheng prison, her visit to the United States, participation in the spiritual pollution campaign, and finally, the attempt to launch the journal China. All of this puts a new perspective on ...
When Gary Snyder’s long poem Mountains and Rivers Without End was published in 1996, it was hailed as a masterpiece of American poetry. Anthony Hunt offers a detailed historical and explicative analysis of this complex work using, among his many sources, Snyder’s personal papers, letters, and interviews. Hunt traces the work’s origins, as well as some of the sources of its themes and structure, including Nō drama; East Asian landscape painting; the rhythms of storytelling, chant, and song; Jungian archetypal psychology; world mythology; Buddhist philosophy and ritual; Native American traditions; and planetary geology, hydrology, and ecology. His analysis addresses the poem not merely by its content, but through the structure of individual lines and the arrangement of the parts, examining the personal and cultural influences on Snyder’s work. Hunt’s benchmark study will be rewarding reading for anyone who enjoys the contemplation of Snyder’s artistry and ideas and, more generally, for those who are intrigued by the cultural and intellectual workings of artistic composition.
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