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Architecture and Ritual in the Churches of Constantinople
This book examines the interchange of architecture and ritual in the Middle and Late Byzantine churches of Constantinople (ninth to fifteenth centuries). It employs archaeological and archival data, hagiographic and historical sources, liturgical texts and commentaries, and monastic typika and testaments to integrate the architecture of the medieval churches of Constantinople with liturgical and extra-liturgical practices and their continuously evolving social and cultural context. The book argues against the approach that has dominated Byzantine studies: that of functional determinism, the view that architectural form always follows liturgical function. Instead, proceeding chapter by chapter through the spaces of the Byzantine church, it investigates how architecture responded to the exigencies of the rituals, and how church spaces eventually acquired new uses. The church building is described in the context of the culture and people whose needs it was continually adapted to serve. Rather than viewing churches as frozen in time (usually the time when the last brick was laid), this study argues that they were social constructs and so were never finished, but continually evolving.
Byzantium
A captivating account of the legendary empire that made Western civilization possible Byzantium. The name evokes grandeur and exoticism—gold, cunning, and complexity. In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium—long history, she identifies the fundamental questions about Byzantium—what it was, and what special significance it holds for us today. Bringing the latest scholarship to a general audience in accessible prose, Herrin focuses each short chapter around a representative theme, event, monument, or historical figure, and examines it within the full sweep of By...
Natural Materials of the Holy Land and the Visual Translation of Place, 500-1500
Since early Christianity, wood, earth, water and stone were taken from loca sancta to signify them elsewhere. Unlike textual or visual representations, natural materials not only represent the Holy Land; they are part of it. This book examines the processes of their sanctification and how, although inherently abstract, they become charged with meaning.
Proceedings of the 21st International Congress of Byzantine Studies
The theme of the 2006 International Congress of Byzantine Studies was display, assessing what strategies the people of Byzantium used to express their thoughts, ideals, fears and beliefs, and how these have been interpreted through various modern discourses. The first volume presents the texts of the 28 plenary papers delivered at the Congress; the second and third contain the abstracts of the many hundreds of papers written for the 64 separate panels and the sessions of communications.
The Monumental
The Monumental is an interdisciplinary collection of original, cutting-edge contributions by international researchers pursuing the epistemology and ontology of monuments over time and geography. The contributors are specialists in geography, architectural theory and history, prehistoric, Greek and Roman archaeology, modern art, Byzantine studies, landscape theory, and heritage reception. Against the global climate of flux and uncertainty in the present turbulent world, the durability of monuments as “urban permanences” emerges as one of the few remaining spatial and mental anchorages. As such it is needed, maintained, enhanced, imitated, landscaped, and even invented. In particular, the...
Female founders in Byzantium and beyond
This volume presents the results of a scholarly meeting which focused on the patronage of women in the Byzantine Empire. In their scope, the articles address broadly not only the founding or re-founding of churches and monasteries, but also their rich decoration, as well as numerous smaller donations. In spite of increased attention to gender research in recent years, a comparative treatment of the legal and economic potentiel that women in Byzantium could exercise in order to exert independent influence has been lacking; thus a gender-specific viewpoint for the volume was intentionally chosen.
Form, Style, and Meaning in Byzantine Church Architecture
Using detailed analyses of individual buildings, Hans Buchwald examines the various approaches to Byzantine architectural forms. The book raises a number of questions concerning the use of stylistic and other forms of analysis.
Byzantium in the Ninth Century
14. What has Constantinople to do with Jerusalem? Palestine in the ninth century: Byzantine orthodoxy in the world of Islam -- 15. The road to Baghdad in the thought-world of ninth-century Byzantium -- 16. Byzantium and al-Andalus in the ninth century -- 17. Byzance et Italie méridionale -- 18. Ninth-century Byzantium through western eyes -- Index
A Lost Art Rediscovered
A Lost Art Rediscovered includes a fully illustrated catalogue of all known tiles produced in the region of Constantinople, including the substantial collection owned by the Walters Art Museum, as well as those belonging to museums and private collections around the world. Some tiles included in the catalogue are now lost; the discovery of others is reported here for the first time. A series of scholarly essays gives the ceramics their rightful place in the study of Byzantine art and treats aspects of patronage, manufacture, function, ornament, and cultural significance. This comprehensive publication heralds the first large-scale, permanent installation of the Byzantine tiles in the collection of the Walters Art Museum. Book jacket.
