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At the heart of the Gothic novel proper lies the discursive binary of »self« and »other«, which in colonial literature was quickly filled with representations of the colonial master and his indigenous subject. Contemporary black Australian artists have usurped this colonial Gothic discourse, torn it to pieces, and finally transformed it into an Aboriginal Gothic.This study first develops the theoretical concept of an Aboriginal Gothic and then uses this term as a tool to analyse novels by Vivienne Cleven, Mudrooroo, Kim Scott, Sam Watson, and Alexis Wright as well as films directed by Beck Cole and Tracey Moffatt. It centres on the question of how a genuinely European mode, the Gothic, can be permeated and thus digested by elements of indigenous Australian culture in order to portray the current situation of Aboriginal Australians and to celebrate a recovered cultural identity.
This book charts the previously untold story of the mobility of Indigenous peoples across vast distances, vividly reshaping what is known about decolonisation.
The essays in this collection examine how both colonial and British authors engage with Victorian subjects and subjectivities in their work. Some essays explore the emergence of a key trope within colonial texts: the negotiation of Victorian and settler-subject positions. Others argue for new readings of key metropolitan texts and their repositioning within literary history. These essays work to recognise the plurality of the rubric of the 'Victorian' and to expand how the category of Victorian studies can be understood.
Providing an international reference work written solely by Aboriginal and Torres Strait Islander authors, this book offers a powerful overview of emergent and topical research in the field of global Indigenous studies. It addresses current concerns of Australian Indigenous peoples of today, and explores opportunities to develop, and support the development of, Indigenous resilience and solidarity to create a fairer, safer, more inclusive future. Divided into three sections, this book explores: • What futures for Aboriginal and/or Torres Strait Islander peoples might look like, and how institutions, structures and systems can be transformed to such a future; • The complexity of Aborigina...
Introduction : dispossession in focus : between ancestral ties and settler territoriality -- Six geobiographies : senses of site in the white settler world -- Space and the settler geographical imagination : the survey, the camera, and the problematic of waste -- A clock for seeing : revelation and rupture in settler colonial landscapes -- Tanga Whaka-ahua or, the man who makes the likenesses : managing indigenous presence in colonial landscapes -- Colonial encounter, epochal time, and settler romanticism in the nineteenth century -- Noble cities from primeval rorest : settler territoriality on the world stage -- Settler nativity : nations and natures into the twentieth century -- Conclusion : settler colonialism, reconciliation, and the problems of place.
Living Indigenous Archives invites readers to consider new pathways for developing and sustaining archival landscapes that are embedded with respect for Indigenous worldviews and cultural flows of knowledge. Drawing on First Nations experiences in Australia, the book considers the need to reframe archives in order to rebalance power and restore dignity to the Aboriginal and Torres Strait Islander people captured in the archives. Contributing to research on the contested nature of archives and the need for archival decolonisation, the book examines whether current, dominant approaches to archiving and managing Aboriginal and Torres Strait Islander knowledges support Indigenous people's wellbe...
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Story of the author's family, of "identity, memory, remembering and madness"