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Institution Architecture: Building the Avant-Garde takes a terminological, sociological, and semiological approach that develops by tracing the ‘avant-garde’ in a century span of literatures for a textual analysis, unpacking the text, and in a process analysis, interpreting it. The sources consist of 825 well-known, globally influential European, including Russian, architectural literatures of the extended 1920s, and of Anglo-Saxon literatures of the extended 1960s to the 2010s. The book traces the connotations that the term ‘avant-garde’ acquired in them and shows the different notions under the ‘avant-garde’ signifier, directing attention to the term’s early twentieth-century...
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Smith takes a provocative look at the fascinating and beautiful landscapes painted by Austrian artist Egon Schiele (1890-1918), renowned for his intensely confrontational portraits, self-portraits, erotic images, and allegories. 90 illustrations, 50 in color.
This volume brings a range of perspectives to bear on the writings and thought of Martin Buber (1878-1965). The contributing authors include renowned Buber specialists who take a new look at Buber's legacy, as well as younger scholars who work in a variety of academic disciplines and contexts, including biblical studies, religious studies, philosophy, intellectual history, sociology, the study of education, and Jewish thought. By relating the legacy of Buber to their respective area of research, they are able to articulate what they find of enduring relevance in Buber's thought and writings. The purpose is to explore new perspectives on Buber and on themes and issues on which he had something to say that continues to engage us. The sixteen essays are grouped in six parts, roughly proceeding in the chronological order of Buber's work, reflecting shifts in his preoccupation and changes in his orientation. The larger themes also represent different approaches to, and perspectives on, Buber's writings in general, including critical retrospectives on his philosophy of dialogue, his political utopianism, and his approach to Hasidism.
This text provides a source of citations to North American scholarships relating specifically to the area of Eastern Europe and the former Soviet Union. It indexes fields of scholarship such as the humanities, arts, technology and life sciences and all kinds of scholarship such as PhDs.
The monochrome - a single colour of paint applied over the entirety of a canvas - remains one of the more contentious modernist artistic inventions. But whilst the manufacture of these 'pictures of nothing' was ostensibly straightforward, their subsequent theorisation has been anything but. More than a history, Monochrome: Darkness and Light in Contemporary Art is the first account of the monochrome's lively role in contemporary art. Liberated from the burden of representation, the monochrome first stood for emancipation: an ideological and artistic impulse that characterised the avant-garde of the early twentieth century. Historically, the monochrome embodied the most extreme form of abstra...
Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.
Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.
Product Description This sumptuously produced volume displays Kandinsky s brilliant use of color, shape, and composition through more than 250 full-color details or full-page illustrations. Essays by the world s leading throughout all periods of his career: his exploration of his Russian roots and his emigration to Munich; his attraction to the Art Nouveau and fauvist movements; the formation of the Blue Rider group; the influence of music on his painting; his years at the Bauhaus; and his late work in Paris. The books grand design and lavish packaging allow for a thorough examination of Kandinsky's most important works in all their extraordinary detail. Among the book s special features is an added stand-alone facsimile of Kleine Welten (Small Worlds), a series of 12 prints first published by Kandinsky in a limited edition in 1922. Accessible, impeccably researched, and wide-ranging, this important volume is certain to become an indispensable overview of the artist s seminal works as well as the perfect gift for anyone eager to experience the beauty and power of Kandinsky s vision.
A bold new spatial perspective on modern sculpture, with 800 color images of work by artists including Henry Moore, Lygia Clark, Anish Kapoor, and Ana Mendieta. This monumental, richly illustrated volume from ZKM | Karlsruhe approaches modern sculpture from a spatial perspective, interpreting it though contour, emptiness, and levitation rather than the conventional categories of unbroken volume, mass, and gravity. It examines works by dozens of twentieth- and twenty-first-century artists, including Hans Arp, Marcel Duchamp, Henry Moore, Barbara Hepworth, Lygia Clark, Anish Kapoor, Olafur Eliasson, Ana Mendieta, Fujiko Nakaya, Tomás Saraceno, and Alicja Kwade. The large-scale book contains o...