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Vernacular Modernism
Vernacular Modernism advocates a rethinking of the importance of the vernacular as part of the modernist discourse of place, from art to literature, from architectural to social practice.
Cinema Beyond Film
This thoughtful exploratory study deals with three seminal issues in film theory, notably the relationship of image and sound, early manifestations of the moving image, and new connections between the voice and the use of the body in contemporary cinema. The contributors discuss, among aothers, the period at the end of the nineteenth century, with the exploration of medical discourses linked to the appearance of the cinema; the archaeological approach to voyeurism, which would become one of the recurrent concepts of cinematographic studies; the introduction of audiovisual technologies in contemporary theatre and the ways in which they have affected the actor’s body. A remarkable and wide-ranging examination of some of the crucial issues in film theory, drawing on the Foucauldian concepts of the dispositif and the episteme.
Cinema Beyond Film
Francois Albera is professor of film and cinema studies at UniversitT de Lausanne in Switzerland. Maria Tortajada is professor in the Department of History and Aesthetics of Film at the same university. --Book Jacket.
The Le Corbusier Galaxy
Drawing on the author‘s discovery of an unknown, long-forgotten collection of photographs in an Indian ashram, this book offers an exciting, new view of the international community of young architects who served as Le Corbusier‘s assistants in the inter-war years. A collection of some 500 snapshots, assembled by the Czech architect František Sammer between 1931 and 1939, had been stored unnoticed for more than 70 years in an unlikely location – the Sri Aurobindo Ashram in Pondicherry, India. Sammer was one of Le Corbusier‘s closest assistants from the early 1930s. Later, Sammer worked in the Soviet Union, Japan and India. During, and after, his time in Paris, he personally took or c...
A Pearl in Peril
Known as "the Pearl of the Mediterranean," Izmir invokes a city and countryside blessed with good fortune; it is known to many as the homeland of Ephesus, Bergama, and Sardis. Yet, Turkey's third largest city has an especially vexed past. The Greek pursuit of the Megali Idea leveraged Classical history for 19th century political gains, and in so doing also foreshadowed the "Asia Minor Catastrophe." Princeton University's work at Sardis played into the duplicitous agendas of western archaeologists, learned societies, and diplomats seeking to structure heritage policy and international regulations in their favor, from the 1919 Paris Peace Conference to the League of Nations. A Pearl in Peril r...
Spatial Regulation in New York City
This book explores and critiques the process of spatial regulation in post-war New York, focusing on the period after the fiscal crisis of the 1970s, examining the ideological underpinnings and practical applications of urban renewal, exclusionary zoning, anti-vagrancy laws, and order-maintenance policing. It argues that these practices were part of a class project that deflected attention from the underlying causes of poverty, eroded civil rights, and sought to enable real estate investment, high-end consumption, mainstream tourism, and corporate success.
The Grove Encyclopedia of American Art
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Bruce Goff
Looks at Goff's designs for homes, churches, hotels, lodges, fraternity houses, and studios and discusses his unusual approach to architecture.
John McAndrew's Modernist Vision
John McAndrew's Modernist Vision tells the compelling story of the architect, scholar, and curator John McAndrew, who played a key role in redefining modernism in the United States from the 1930s onward. The designer of the Vassar College Art Library—arguably the first modern interior on a college campus—and the curator of architecture at the Museum of Modern Art in New York from 1937 to 1941, McAndrew was instrumental in creating a distinct and innovative aesthetic that bridged the European modernist lineage and American regional vernacular. Providing a fascinating glimpse into McAndrew's life, his associations with important architects and artists, and the historical context that shaped his work, this book is a thoroughly researched testament to a man who left a powerful mark on the evolution of American architecture.
