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Mother of the Lamb
Mother of the Lamb tells the remarkable story of a Byzantine image that emerged from the losing side of the Crusades. Called the Virgin of the Passion in the East and Our Lady of Perpetual Help in the West, the icon has expanded beyond its Byzantine origins to become one of the most pervasive images of our time. It boasts multiple major shrines on nearly every continent and is reflected in every epoch of art history since its origin, even making an appearance at the Olympics in 2012. Matthew Milliner first chronicles the story of the icon's creation and emergence in the immediate aftermath of the Third Crusade, whereupon the icon became a surprising emblem of defeat, its own fame expanding i...
The Everlasting People
How might the life and work of Christian writer G. K. Chesterton shed light on our understanding of North American Indigenous art and history? In these discerning reflections, art historian Matthew Milliner appeals to Chesterton's life and work in order to understand and appreciate both Indigenous art and the complex, often tragic history of First Nations peoples.
Mary, the Apostles, and the Last Judgment
This volume presents a timely contribution to the growing body of scholarship on the apocryphal writings and their reception in the Middle Ages, especially in connection with visual representation. It aims to bridge what often remains disconnected, the visual art and the written text, the early Christian roots and medieval reception, the East and the West, as well as methodologies of various disciplines. The studies in this volume firstly investigate issues related to the Virgin Mary, and through them, also the status, function, and identity of women. Mary and the female element thus represent significant models and/or background figures in fields pertaining to theology, religious studies, textual studies, manuscript studies, and art history in a trans-disciplinary perspective. Secondly, the studies focus on the apostles and the Last Judgment, their visual representations and the use of apocryphal sources. The volume is divided in two parts according to two major topics: Part I dealing with Mary in the Apocrypha, and Part II focusing on the Apostles and the Last Judgment.
Approaches to Byzantine Architecture and Its Decoration
The fourteen essays in this collection demonstrate a wide variety of approaches to the study of Byzantine architecture, a reflection of both newer trends and traditional scholarship in the field. Three papers examine Early Christian monuments, two of which expand the inquiry into their architectural afterlives. Others discuss later monuments in Byzantine territory and monuments in territories related to Byzantium such as Serbia, Armenia, and Norman Italy. No Orthodox Church being complete without interior decoration, two papers discuss issues connected to frescoes in late medieval Balkan churches. Finally, one study investigates the continued influence of Byzantine palace architecture long after the fall of Constantinople.
Come, Let Us Eat Together
When it comes to the sacraments, the church has often been—and remains—divided. Can we still gather together at the same table? Based on lectures from the 2017 Wheaton Theology Conference, this volume brings together the reflections of Protestant, Roman Catholic, and Eastern Orthodox theologians, who consider what it means to proclaim the unity of the body of Christ in light of the sacraments.
ReVisioning
'ReVisioning: Critical Methods of Seeing Christianity in the History of Art' explores some of underlying methodological assumptions in the field of art history by examining the suitability and success, as well as the incompatibility and failure, of varying art historical methodologies when applied to works of art which distinctly manifest Christian narratives, themes, motifs, and symbols.
Religion and Contemporary Art
Religion and Contemporary Art sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art. Featuring essays from both established and emerging scholars, critics, and artists, the book reflects on what might be termed an "accord" between contemporary art and religion. It explores the common strategies contemporary artists employ in the interface between religion and contemporary art practice. It also includes case studies to provide more in-depth treatments of specific artists grappling with themes such as ritual, abstraction, mythology, the body, popular culture, science, liturgy, and social justice, among other themes. It is a must-read resource for working artists, critics, and scholars in this field, and an invitation to new voices "curious" about its promises and possibilities.
Fifteen Minutes
Are we allowed to scrutinize public art, even if the public doesn’t pay for it? It only took the city of Buffalo 15 minutes to shut it off and five days for Mayor Jimmy Griffin to tear down Billie Lawless’ sculpture "Green Lightning" in 1984. It may have had something to do with dancing neon figures that resembled Mr. Peanut. But, to this day it’s unclear if the artist tricked the city or the city acted hastily. For the first time, through interviews, court documents, and press clippings, the story of "Green Lightning" is told. The story of "Green Lightning" is a cautionary tale about the importance of public art education. If the public is not aware of the different meanings and interpretations of art, they are more likely to react to it in a negative way. It is important for people to understand that art is subjective, and that what one person finds offensive, another person may find beautiful.
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