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The collection consists of six items: a fragment of a story, written by Maurice Sand with corrections by his mother, about a Sioux Indian; four pages of a manuscript for an untitled puppet show; a stereocard depicting the puppets at Nohant; a blank printed invitation to a puppet show; the manuscript of a puppet show entitled "Le Chateau des Andouillers;" and a manuscript of the play "La Chambre de Madame; out la Chambre Bleu." This manuscript is a complete reworking of the original 1874 playscript. The play is expanded to almost three times the original size with numerous additional characters. In addition, the numerous emendations and corrections to the manuscript suggest that Sand was working on the play until very close to its production on April 4, 1875 at Nohant. There is also a chalk and watercolor scene design for the curtain.
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If questions of subjectivity and identification are at stake in all biographical writing, they are particularly trenchant for contemporary women biographers of women. Often, their efforts to exhume buried lives in hope of finding spiritual foremothers awaken maternal phantoms that must be embraced or confronted. Do women writing in fact have any greater access to their own mothers' lives than to the lives of other women whose stories have been swept away like dust in the debris of the past? In Thinking through the Mothers, Janet Beizer surveys modern women's biographies and contemplates alternatives to an approach based in lineage and the form of thought that emphasizes the line, the path, h...
An entertaining and highly illuminating account of Commedia's origins as a popular theatrical form, plus a practical and timely step-by-step guide to using commedia techniques in performance.