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Psychogeography
Psychogeography. Increasingly this term is used to illustrate a bewildering array of ideas from ley lines and the occult, to urban walking and political radicalism. But where does it come from and what exactly does it mean? Psychogeography is the point where psychology and geography meet in assessing the emotional and behavioural impact of urban space. The relationship between a city and its inhabitants is measured in two ways - firstly through an imaginative and literary response, secondly on foot through walking the city. From Urban Wandering to the Society of the Spectacle, from the Dérive to Détournement, Psychogeography provides us with new ways of apprehending our surroundings, transforming the familiar streets of our everyday experience into something new and unexpected. This guide conducts the reader through this process, offering both an explanation and definition of the terms involved, an analysis of the key figures and their work as well as practical information on Psychogeographical groups and organisations.
Horrifying Children
Horrifying Children examines weird and eerie children's television and literature via critical analysis, memoir and autoethnography. There has been an explosion of interest in the impact of children's television and literature of the late twentieth century. In particular, the 1970s, '80s and '90s are seen as decades that shaped a great deal of the contemporary cultural landscape. Television of this period dominated the world of childhood entertainment, drawing freely upon literature and popular culture, like the Garbage Pail Kids and Stranger Things, and much of it continues to resonate powerfully with the generation of cultural producers (fiction writers, screenwriters, directors, musicians...
Geographies of Memory and Postwar Urban Regeneration in British Literature
This book proposes a new approach to the literary representations of London by means of correlating geocriticism, spatial literary studies and memory studies in order to investigate the interplay between reality and fiction in mapping the urban imaginary. It conducts an analysis of depictions of London in British literature published between 1975 and 2005, exploring the literary representations of the real urban restructurings prompted by the rebuilding projects in war and poverty-stricken districts of London, the remapping of the metropolis by immigrants, gentrification and the displacement of communities, as well as the urban dissolution caused by terrorism. The selected works of fiction written by Peter Ackroyd, Penelope Lively, Zadie Smith, Andrea Levy, J.G. Ballard, Michael Moorcock, Doris Lessing and Ian McEwan provide a record of the city in times of de/reconstruction, emphasizing the structure of London as a palimpsest, which becomes a central image. The book contributes to the development of the subject field by introducing a number of original concepts which connect geocriticism and memory studies.
Occult London
London, more than any other city, has a secret history concealed from view. Behind the official façade promoted by the heritage industry lies a city of esoteric traditions, obscure institutions, and forgotten locations. Occult London rediscovers this history, unearthing the hidden city that lies beneath our own. From the Elizabethan magic of Dr Dee and Simon Forman to the occult designs of Wren and Hawksmoor; from the Victorian London of Spring-Heeled Jack to the fin de siecle heyday of Madame Blavatsky and Aleister Crowley. This book describes these practitioners of the occult and their unorthodox beliefs, alongside the myths and legends through which the city has always been perceived. The role of the occult within London's literary history is also outlined, while a gazetteer maps the sites of London's most resonant occult locations. Today we are experiencing a renewal of interest in the occult tradition, and Merlin Coverley examines the roots of this revival, exploring the rise of New Age philosophies and the emergence of psychogeography in shaping a new vision of the city
Peripatetic Frame
From cinema's earliest days, walking and filmmaking have been intrinsically linked. Technologically, culturally and aesthetically, the pioneers of cinema were not only interested in using the camera to scientifically study ambulatory motion, but were also keen to capture the speed and mobile culture of late 19th-century urban life. Photographers such as Felix Nadar took their cameras into the Parisian streets and boulevards as mechanised flneurs, ushering us into the age of the 'mobilised virtual gaze'. But if photography could only embalm modernity in an instant of time, the cinema brought these instants to life again. From Muybridge and Marey's photographic studies of motion to Charlie Chaplin's character 'The Tramp', and from the Steadicam to the police procedural, Thomas Deane Tucker explores the intertwined relationship between cinema and walking from its very first steps - breaking new ground in motion studies and providing a bold new perspective on film history.
South
How has the idea of the South come to exert such a powerful hold over our imagination? Artists and writers have long felt the lure of the South. Goethe was revitalised by his journey to Italy; Nietzsche took flight southwards to begin his life anew, while DH Lawrence sought the health-giving southern sun in Sicily and Sardinia. The South Seas cast a spell over Stevenson, Melville and Gauguin, while it was the frozen South of the Antarctic which inspired the nightmarish visions of Poe and Lovecraft. This book examines the idea of the South as a symbol of freedom and escape, as well as a repository for many of our deepest fears and desires. It also explores the history of the South as the site...
Walking in the City
In this book, Catharina Löffler traces the psycho-physical experiences of London walkers in eighteenth-century literature. For this purpose, readings of fascinating, exciting, comical and sometimes disturbing texts grant insights into a culturally, historically and socially significant time in the history of London and make this book a tour of London as seen and heard through the eyes and ears of fictional eighteenth-century urban walkers. Uniting concepts of literary theory, urban studies and psychogeography, Löffler approaches a cross-generic range of literary texts that design uniquely subjective visions and versions of the city. A journey through the fictions and factions of eighteenth-century London, this book provides a compelling read for anyone interested in the history and literature of the English capital.
Visions of the Real
The cultural landscape is what lies around us and has to be understood and learned to deal with. The best way to do this is to start from the beginning in order to understand the contemporary iterations of the concept. We will not reinvent the concept, but we will try to create a new way to see it. The operative concept of cultural landscape is part of a reality that is seen and visioned differently by each individual. This means that the concept has an almost infinite number of meanings. Thus this book presents some of the visions of the surrounding reality through the eyes of an architect.
The Art of Wandering
The Art of Wandering is a history of that curious hybrid, the writer as walker. From the Ancient world to the modern day, the role of the walker continues to evolve, from philosopher and pilgrim, vagrant and visionary, to experimentalist and radical. From Rousseau and De Quincey to Virginia Woolf and Werner Herzog, this seemingly innocuous activity has inspired a literary tradition encompassing philosophy and poetry, the novel and the manifesto. Today, this figure has returned to the forefront of the public imagination, as writers and walkers follow in the footsteps of earlier generations. For the walker is once again on the march, seeking out new territory and recording new impressions of the landscape. Newly revised and updated, The Art of Wandering explores these adventures on foot. Every walk can be expressed as a story narrated by the walker; it is these stories and the lives of those who walked them which are examined here.
Theatrical Topographies
The economic crisis in Argentina in 2001-2002 that spilled over into Uruguay causing fiscal and political problems is the starting point for my research on space and theater, and it demonstrates why we must look at the River Plate in both global and local ways. Connections among monetary policies, industries, and legal, social, and political movements mean that national spaces like Uruguay’s are fraught with tensions that come from both within and outside of borders. Recent economic crises like the one that is occurring in Greece, further demonstrate how nation states and trade blocks must constantly negotiate power as they toggle between national and international pressures. Nation states...
