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Virginia Woolf, to whom university admittance had been forbidden, watched the universities open their doors. Though she was happy that her sisters could study in university libraries, she cautioned women against joining the procession of educated men and being co-opted into protecting a “civilization” with values alien to women. Now, as Woolf’s disloyal (unfaithful) daughters, who have professional positions in Belgian universities, Isabelle Stengers and Vinciane Despret, along with a collective of women scholars in Belgium and France, question their academic careers and reexamine the place of women and their role in thinking, both inside and outside the university. They urge women to heed Woolf’s cry—Think We Must—and to always make a fuss about injustice, cruelty, and arrogance.
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A new strain of realism has emerged in France. The novels that embody it represent diverse fears—immigration and demographic change, radical Islam, feminism, new technologies, globalization, American capitalism, and the European Union—but these books, often best-sellers, share crucial affinities. In their dystopian visions, the collapse of France, Europe, and Western civilization is portrayed as all but certain and the literary mode of realism begins to break down. Above all, they depict a degenerative force whose effects on the nation and on reality itself can be felt. Examining key novels by Michel Houellebecq, Frédéric Beigbeder, Aurélien Bellanger, Yann Moix, and other French writ...
What makes curating feminist organizing? How do curators relate to contemporary feminist concerns in their local conditions and the globalized artworld? The book brings together twenty curatorial case studies from diverse regions of the globe. Reflecting their own curatorial projects or analyzing feminist-inspired exhibitions, the authors in this book elaborate feminist curating as that which is inspired to challenge gender politics not only within but also beyond the doors of the museum and gallery. Connecting their wider feminist politics to their curatorial practices, the book provides case studies of curatorial practice that address the legacies of racialized and ethnic violence, includi...
Mona Chollet's In Defense of Witches is a “brilliant, well-documented” celebration (Le Monde) by an acclaimed French feminist of the witch as a symbol of female rebellion and independence in the face of misogyny and persecution. Centuries after the infamous witch hunts that swept through Europe and America, witches continue to hold a unique fascination for many: as fairy tale villains, practitioners of pagan religion, as well as feminist icons. Witches are both the ultimate victim and the stubborn, elusive rebel. But who were the women who were accused and often killed for witchcraft? What types of women have centuries of terror censored, eliminated, and repressed? Celebrated feminist wr...
In the West today, suffering has become a new sacred cow. Once a common feature of the human condition, it is now a special trait you can use to impress your contemporaries. It provides you with a borrowed identity, transforming you into an exceptional being who can show off on the public stage at little cost. Everyone flaunts their certificate of affliction, positioning themselves above their peers. Even those who are well-off and powerful seek to find a place in the aristocracy of the margins, creating new castes of the dispossessed at the expense of the truly unfortunate. Infused with bitterness, this cult of the victim glorifies the martyr figure and feeds into the passions of revenge an...
Democracy must be anti-racist. Any less is cowardly. Any less is reactionary. Democracy is not necessarily progressive, and will only be if we make it so. What Mondon and Winter call 'reactionary democracy' is the use of the concept of democracy and its associated understanding of the power to the people (demos cratos) for reactionary ends. The resurgence of racism, populism and the far right is not the result of popular demands as we are often told. It is rather the logical conclusion of the more or less conscious manipulation by the elite of the concept of 'the people' and the working class to push reactionary ideas. These narratives place racism as a popular demand, rather than as somethi...
A powerful exploration of self-blame, where it comes from, why women are prone to it, and what we can do about it. Many of us regularly hear a sarcastic, malevolent voice echoing in our heads, attacking us, lecturing us, putting us down. It tells us that whatever we do, we're wrong. It says we're worthless. We don't deserve anything good. We're fundamentally flawed. Our very existence is unjustified. It's a voice that rings out particularly loudly if we're women and belong to a minority group. In How to Resist Guilt, acclaimed feminist writer Mona Chollet shines a light on this enemy within. What exactly are these fears that have managed to enter the deepest recesses of our minds? How can they be identified? And, importantly, kept at bay? Exploring the guilt-tripping of women, especially mothers, the cult of work, which indexes our worth strictly in terms of our productivity, and the resurgence of mindsets intent on punishment or retribution, this is a powerful book about that little voice inside us and how to silence it.
'Intriguing' – Sunday Times 'A rousing read' – Irish Times 'A bright light of Francophone feminism' – New York Times Renowned journalist Mona Chollet recasts the witch as a powerful role model: an emblem of strength, free to exist beyond the narrow limits society imposes on women. Taking three archetypes from historic witch hunts – independent women, women who avoid having children and women who embrace ageing – Chollet examines how women today have the same charges levelled against them. She calls for justice in healthcare, challenging the gender imbalance in science and questioning why female bodies åre still controlled by men. Rich with popular culture, literary references and media insights, In Defence of Witches is a vital addition to the cultural conversation around women, witches and the misogyny that has shaped the world they live in. With a foreword by Carmen Maria Machado and translated from French by Sophie R. Lewis.
Why are women, despite being resilient, adaptable, and persistent, often constructed and perceived as weak and vulnerable? Women’s vulnerability is not a neutral concept but is organizationally defined and understood. Organizations are discursive spaces where women’s vulnerability is constructed and reproduced as a communicative act and event. We often represent vulnerability at individual or organizational levels, but not both. Women’s vulnerability reminds us of the pervasive interconnectedness of personal and organizational life events. Experiencing women’s organizational vulnerability is common. However, is women’s vulnerability publicly represented, defined, felt and acted upo...