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Otto Maria Carpeaux
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Biographical dictionary of refugees of nazi fascism in Brazil
They were musicians, writers, painters, actors, scientists, mathematicians, architects, doctors, photographers, dancers, businessmen and even circus clowns, police officers and football coaches. All refugees from nazi fascism, who sought salvation from 1933 onwards. They are remembered in 300 illustrated biographies, representing the thousands of fugitives who made or remade their lives and careers in Brazil and contributed so much to Brazilian society. Each trajectory, an epic, from birth and training in the Old World, the terrible dangers and sufferings faced with the arrival of Nazism, the struggles and adventures to escape, obtain visas and embark towards freedom. The Dictionary of Refugees from Nazi fascism in Brazil reports all this. It is yet another publication by Casa Stefan Zweig, based in Petrópolis and dedicated to the dissemination and study of the work of the great Austrian writer who died here and the role of refugees who, like him, escaped from the totalitarianism.
The Modernist Movement in Brazil
“Ask an authority on Brazilian culture what he considers to be the most significant artistic event in Brazil during this century,” observes John Nist, “and he will quickly reply, ‘The Modern Art Week Exhibition, staged in Sao Paulo in February, 1922.’ This public demonstration and aesthetic manifesto represented a cut with the past, a violent break with tradition unparalleled in Brazilian history. The fact that Brazilians still discuss the poetical renovation achieved by Modernism shows how strongly the movement attacked and questioned traditional attitudes, cherished preconceptions, prejudiced aspects of a national sensibility that still persists, in some quarters, to this day. As...
Dirty Poem
Considered the greatest long poem in 20th century Brazilian poetry, Ferreira's Gullar's Dirty Poem was written as a response to the Brazilian dictatorship that put him in exile and murdered thousands. Written in 1975 in Buenos Aires when Ferreira Gullar was in political exile from the Brazilian dictatorship, Dirty Poem is an epic poem that amid life events traces the author’s political and artistic evolution and is by most accounts the most important long poem of contemporary Brazilian literature. Scholar and critic Otto Maria Carpeaux wrote: “Dirty Poem deserves to be called ‘National Poem’ because it embodies all of the experiences, victories, defeats, and hopes in the life of the Brazilian citizen.” It is a hypnotic work that draws on the poet’s memory of adolescence in the seaside city of Sao Luís do Maranhão during World War II and deals openly with the “dirty” shamefulness of a socio-economic system that abuses its citizens with poverty, sexism, greed, and fear.
Gramsci and the Southern Question
This book looks at the Southern question in Antonio Gramsci. It takes this as an opportunity to reflect on the special nature of his thought, linked to the concepts of hegemony, subalternity and the critique of the particular culturalidentitarian and ideological forms of the South and its historical development. Although the category was originally applied to the politics and history of Italy, the debates on the Southern question have in recent times gained wider relevance, combining with today’s more general analyses relating, for example, to European geopolitics, globalisation and the various global Souths, to media and mass culture, etc. In other areas, the Southern question in Gramsci ...
As revoltas modernistas
As revoltas modernistas, de Otto Maria Carpeaux. O texto faz parte da principal obra do crítico: História da literatura ocidental. Carpeaux expõe um conhecimento enciclopédico a respeito das escolas de vanguarda, contextualizando a vida e obra dos escritores nos movimentos modernistas.
