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The Women Who Professionalized Interior Design explores the history of interior decorating and design from the late nineteenth century to the present, highlighting the careers and contributions of significant American female interior designers who were instrumental in the creation of the field of residential and commercial interior design in the United States. This book explores how interior design emerged as a distinct, paying occupation in the nineteenth century thanks to a growing middle class and an increase in available cheap household goods following the Industrial Revolution. Focusing primarily on the period from 1905 to 1960, it addresses the complex relationships among professionals...
Interior designer Syria Maugham created an ultra-chic world that was as unique as it was influential. Metcalf celebrates the work of this legendary British designer in the first comprehensive study of her dramatic life and meteoric career.
In the pivotal decades around the turn of the century, American domestic life underwent dramatic alteration. From backstairs to front stairs, spaces and the activities within them were radically affected by shifts in the larger social and material environments. This volume, while taking account of architecture and decoration, moves us beyond the study of buildings to the study of behaviors, particularly the behaviors of those who peopled the middle-class, single-family, detached American home between 1880 and 1930. The book's contributors study transformations in services (such as home utilities of power, heat, light, water, and waste removal) in servicing (for example, the impact of home appliances such as gas and electric ranges, washing machines, and refrigerators), and in serving (changes in domestic servants' duties, hours of work, racial and ethnic backgrounds). In blending intellectual and home history, these essays both examine and exemplify the perennial American enthusiasm for, as well as anxiety about, the meaning of modernity.
The world and the people living in it are increasingly and rapidly being affected by environmental and technological changes. It is imperative that the design profession addresses these developments with a new way of thinking. This book points the way for the design of interiors in this newly complex world and will be indispensable for students, practitioners and theoreticians. The book is divided into four chapters that explore aspects of the human experience of the interior, from man’s earliest search for shelter to an outline of past and current thinking on design, psychology and well-being. An epilogue looks at such future concerns as population growth and sustainability and suggests how the design profession can confront these challenges. Rethinking Design and Interiors is a fascinating exploration of how art and science can come together for the benefit of those who inhabit the built environment.
From ancient Greece to Frank Lloyd Wright, studiola to smoking rooms, chimney boards to cocktail cabinets, and papier-mâché to tubular steel, the Encyclopedia ofInterior Design provides a history of interior decoration and design from ancient times to the present day. It includes more than 500 illustrated entries covering a variety of subjects ranging from the work of the foremost designers, to the origins and function of principal rooms and furnishing types, as well as surveys of interior design by period and nationality all prepared by an international team of experts in the field. Entries on individuals include a biography, a chronological list of principal works or career summary, a primary and secondary bibliography, and a signed critical essay of 800 to 1500 words on the individual's work in interior design. The style and topic entries contain an identifying headnote, a guide to main collections, a list of secondary sources, and a signed critical essay.
A comprehensive architectural history of America's greatest living architectural laboratory.
Based on extensive new archival research, Edith Wharton and Genre: Beyond Fiction offers the first study of Wharton’s full engagement with original writing in genres outside those with which she has been most closely identified. So much more than an acclaimed novelist and short story writer, Wharton is reconsidered in this book as a controversial playwright, a gifted poet, a trailblazing travel writer, an innovative and subversive critic, a hugely influential design writer, and an author who overturned the conventions of autobiographical form. Her versatility across genres did not represent brief sidesteps, temporary diversions from what has long been read as her primary role as novelist. Each was pursued fully and whole-heartedly, speaking to Wharton’s very sense of herself as an artist and her connected vision of artistry and art. The stories of these other Edith Whartons, born through her extraordinary dexterity across a wide range of genres, and their impact on our understanding of her career, are the focus of this new study, revealing a bolder, more diverse, subversive and radical writer than has long been supposed.
Family history of Charles Chambers born in England in 1660. He migrated to Massachusetts as a young man, and married Rebecca Patefield a few years later. In 1708 they purchased a country estate in Lincoln, Mass. (close to Boston), which was inherited by his descendants.
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