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Shakespeare's and Peele's Titus Andronicus has had a theatrical and a critical revival in the last fifteen years; the critical revival was perhaps prompted by Jonathan Bate's Arden edition of the play and its revision of the traditional critical account that it is an immature work and overly sensationalistic with its emphasis on non-essential violence. Recent debates and approaches have drawn closer attention to the play's classicism; re-defined its genre (for example the revised edition of the New Dramatic Sources will re-classify the play as one of Shakespeare's Roman plays); re-considered the nature of violent spectacle, family relations and kinship, political alliance, race and miscegenation. This study will explore how the revitalized critical responses to early modern and contemporary performance histories has had a significant impact upon the wider reception of this play.
A Warning for Fair Women is a 1599 true-crime drama from the repertory of Shakespeare’s acting company. While important to literary scholars and theater historians, it is also readable, relevant, and stage-worthy today. Dramatizing the murder of London merchant George Saunders by his wife’s lover, and the trials and executions of the murderer and accomplices, it also sheds light on neighborhood and domestic life and crime and punishment. This edition of A Warning for Fair Women is fully updated, featuring a lively and extensive introduction and covering topics from authorship and staging to the 2018 world revival of the play in the United States. It includes a section with discussion and research questions along with resources on topics raised by the play, from beauty and women’s friendship to the occult. Ann C. Christensen presents a freshly edited text for today’s readers, with in-depth explanatory notes, scene summaries, a gallery of period images, and full scholarly apparatus.
This book examines the 'anthology period' in Shakespeare's career to demonstrate how these texts used the practice of commonplacing to situate his works into a canon of English poetry. Considering what early anthologies made of Shakespeare, and what he made of being anthologized, leads to new readings of his poems and plays.
Drawing on both historical analysis and theories from the modern affective sciences, Shakespeare and Disgust argues that the experience of revulsion is one of Shakespeare's central dramatic concerns. Known as the 'gatekeeper emotion', disgust is the affective process through which humans protect the boundaries of their physical bodies from material contaminants and their social bodies from moral contaminants. Accordingly, the emotion provided Shakespeare with a master category of compositional tools – poetic images, thematic considerations and narrative possibilities – to interrogate the violation and preservation of such boundaries, whether in the form of compromised bodies, compromised...
Cannibalism, severed hands and severed heads, rape, murder, tragedy and - of course - the Classics. These are a few of the delights audiences have to look forward to in Titus Andronicus. It's a play of extremes, as likely to provoke severe discomfort as s
This biography concentrates on Truman's 61 years prior to becoming president.
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