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Raghubir Singh
In the New York Times, critic Teju Cole offered this appreciation of the work of Indian–born photographer Raghubir Singh (1942—1999): "Singh gives us photographs charged with life: not only beautiful experiences or painful scenes but also those in–between moments of drift that make up most of our days." This richly illustrated volume, the first in–depth study of Singh's work, situates it at the intersection of Western modernism and traditional South Asian modes of picturing the world. A major practitioner of color street photography, Singh captured images that demonstrate the diverse culture of India. Raghubir Singh features over 100 of his photographs—in counterpoint with the work of such influences as Henri Cartier–Bresson and Lee Friedlander and with images of traditional South Asian artworks that inspired his practice—providing an extensive overview of the artist's career. With its vibrant plates and insightful essays, this publication brilliantly illustrates Cole's assessment that Singh's work draws "breathtaking coherence out of the chaos of the everyday."
The 1950s
Traces the history of the United States during the 1950s through such primary sources as memoirs, letters, contemporary journalism, and official documents.
Blood on the Lens
A personal journey from naivete to awareness in an ancient land of stark beauty and wartime devastation
Inequality
Radical institutionalism—a processual paradigm focused on changing the direction of cultural evolution and the function of social provisioning in order to promote the full participation of all—defines inequality as evolving from class exploitation, gender domination, race discrimination, and national predation. Radical institutionalism states that inequality is not determined by genetic differences between groups, innate differences between sexes, or class differences. It is believed that mainstream thinking in economics and related studies is not broad enough to capture the complexity of this social pathology.
Sociology and the Holocaust
For some time the conventional wisdom in the interdisciplinary field of Holocaust studies is that sociologists have neglected this subject matter, but this is not really the case. In fact, there has been substantial sociological work on the Holocaust, although this scholarship has often been ignored or neglected including in the discipline of sociology itself. Sociology and the Holocaust brings this scholarly tradition to light, and in doing so offers a comprehensive synthesis of the vast historical and social science literature on the before, during, and after of the Holocaust—a tour d’horizon from an explicitly sociological perspective. As such, the aim of the book is not simply to describe the chronology of events that culminated in the deaths of 6 million Jews but to draw upon sociology’s “theoretical toolkit” to understand these events and the ongoing legacy of the Holocaust sociologically.
Perennials
Explores the use of perennials in garden design through a photographic trip to some of the world's most magnificent gardens.
